A Quote by Amy Ryan

Usually in stories there are big problems in the beginning or couples are pulling away, there's a lot of bitterness. — © Amy Ryan
Usually in stories there are big problems in the beginning or couples are pulling away, there's a lot of bitterness.
The truth is few people “think” big and even fewer “play” big. Why? Because “big” often means big responsibilitie s, big hassles and big problems. They look at that “bigness” and shrink. They’re smaller than their problems. They back away from challenges. Ironically, they back themselves into the biggest problem of all ... being broke, or close to it.
Stories ought not to be just little bits of fantasy that are used to wile away an idle hour; from the beginning of the human race stories have been used - by priests, by bards, by medicine men - as magic instruments of healing, of teaching, as a means of helping people come to terms with the fact that they continually have to face insoluble problems and unbearable realities.
A lot of the characters I play have problems, they are marginalised, they have serious psychological problems, problems with relationships, with childhood. These are big subjects, big subjects. You can't balk at work like that. As an actor, that's as good as it gets.
I know people's problems: the problems of those who work hard, who must slave away. The couples who have two incomes but who can nevertheless barely cover their rent. The people who get stuck in traffic on their way to work. The people who have to wait in vain for a train to come just as they are supposed to be picking up their children from daycare. I can say with a clear conscience to those people: I understand your problems. And I will do all I can to decrease them.
Oh, God, the lovebirds,” Magnus said, pulling the pillow off his face. “I hate happy couples.
There are no big problems, there are just a lot of little problems.
I've interfaced with a lot of other creators of serialized shows, and I've really been blown away by the fact that they create a big spectacle, at the beginning, in the pilot, and they don't ultimately know where they're going. That's terrifying to me, and creatively disingenuous.
I've been writing big stories of history, but there are a lot of fascinating little stories.
Bitterness imprisons life; love releases it. Bitterness paralyzes life; love empowers it. Bitterness sours life; love sweetens it. Bitterness sickens life; love heals it. Bitterness blinds life; love anoints its eyes.
The best couples, or the most successful couples, are the ones with a really low negativity threshold. These are the couples that don't let anything go unnoticed and allow each other some room to complain.
A big part of my book deals with the caliber of journalism. Our journalism in general is deplorable, and on elections in particular it's very ineffectual. There are a lot of problems, a lot of them having to do with to problems within the professional code of journalism, which defines its role as the regurgitation of what people in power say. Another big problem is that we allow people with money to basically buy what's talked about in campaigns through running TV ads.
Told a lot of stories as a child. Not 'Once upon a time' stories but, basically, outright lies. I loved lying and getting away with it!
Sometimes you get a team that has almost forgotten how to win. That's maybe fallen away from the standards that should be set at this level. Some are big problems, some of them are small problems.
There was no time for bitterness now: eat bitterness, and bitterness eats you.
The real reason why people are going with digital is that it's extraordinarily mobile, and it's cheaper, and it has a great image, and you just can't beat it at night. It's pulling in variations of colors; it's pulling in lights from 40 miles away - a candle would be seen.
It's like I had two things pulling at me: you want to be a fighter, and you have problems. So I couldn't be a fighter, and I wasn't solving any problems.
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