A Quote by Amy Schumer

I've always been really dark, and drawn to darker humor. Nothing has been forced, and I don't say anything for shock value. — © Amy Schumer
I've always been really dark, and drawn to darker humor. Nothing has been forced, and I don't say anything for shock value.
That dark humor has always been a part of what I've done. It's always been somewhat tongue-in-cheek.
I've always been attracted to the darker things in life. I was never one to go for light, airy stuff, even as a child. My whole aesthetic has always been one of the darker side. That rings true also in my tastes in music. It's just always something I've gravitated to naturally.
I lean toward anything with a dark sense of humor. And since I've been out of school, the majority of my books have been contemporary; basically, I like my characters to have electricity - even better, a TV.
I'm always drawn towards the darker stuff, because I think it's just a lot more interesting. But it's also good fun doing the comedy, and I think that's why 'Misfits' has been great in that way, as you get a really good balance. I think it's best to try and do everything as an actor, really.
I've always been drawn to dark, disturbing characters.
I was born on the fairer side, but I've always been fascinated by dusky and dark tones. So, when the makers of my films asked me to go a few shades darker, I didn't think twice. I am not doing anything extraordinary, but I want to break cinematic notions about outwardly appearances.
There are so many fantastic roles, but the ones that have always drawn me to them are the loners who, for whatever reason, never quite fit in and knew it and had to find their own way. I've always been drawn to that, for some reason. I've always been drawn to that sad, isolated place, but what it produces in behavior is something else, entirely. For whatever reason, I'm drawn to these people. Essentially, I think what draws me is that they are survivors against rather considerable odds.
Must have been quite the culture shock, going there.” “Yes it was.” Idris doesn’t say that the real culture shock has been in coming back.
I've been a fan of comics, but I've never been, like, a diehard: like, I've never really owned a bunch of comics or anything. But I've always been drawn to them and read them.
I like a person who knows how to say something dark at a very dark moment. The darker the moment and the darker the comic, the better. Something that is so wrong on all levels.
I was a pretty dark person to begin with. I have always been more drawn to darkness
When I'm naked, I really like to do push-ups. No. I think I really tackle it like everything else. If you're going to commit yourself to playing something, you have to be able to understand it. If you can understand it, then you can do it and go balls out with it. But, I've never been in a position where I've been like, "This doesn't feel right." I wouldn't do it, if it was that. I like the shock value of it. I think that, if you use it correctly, it's pretty effective, as long as I'm lit really, really, really well.
I was working in this very bombastic style. I didn't really know about style. I didn't think about it: I did what I was interested in, what I was attracted to, what I was drawn to. I was drawn to color, and I was drawn to humor, and I was drawn to sexuality and spontaneity. It was all really intuitive. I never really thought, "Well this is the style...
I've always been drawn to a certain kind of dark aesthetic in cinema and in film, to what's abjected or considered abject. I've been tremendously influenced by noirish cinema whether that's Von Sternberg or Scorsese in the 70s or Lynch, etc.
Predominantly I've worked with Blumhouse, and they've been really great to me. We are extremely grateful for employment. But maybe my dark soul attracts these darker, horrifying stories. But I don't particularly close myself off to any employment - any stories, I should say.
All the plays that have ever been written, from ancient Greece to the present day, have never really been anything but thrillers... Drama's always been realistic and there's always been a detective about... Every play's an investigation brought to a successful conclusion.
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