A Quote by Amy Schumer

Song "Sixteen Going on Seventeen" is actually about syphilis. — © Amy Schumer
Song "Sixteen Going on Seventeen" is actually about syphilis.
I am seventeen. The good things about seventeen is that you’re not sixteen. Sixteen goes with the word sweet, and I am so far from sweet.
How old are you? Sixteen? S-seventeen? [asks security guard] Is seventeen legal?
I was petrified because all my friends would be going to Washington, DC, to protest. I was sixteen, and I was like, "I don't think I'll be going with you guys," just because I was scared. Then you saw the news, and cops - not students in schools with guns - cops are killing sixteen year old protesters on the news. To me that was more horrifying, to have the authority figures actually killing people on the evening news, than to have another student firing a gun.
I remember my first standup act when I was seventeen; I did a really lame song about being flat chested. I was doing it in New York, and I remember Kevin Brennan, the guy I lost my virginity to, was like "That song doesn't make sense, you have tits."
I don't ever read chat rooms, because if you've got sixteen nice things, number seventeen is always the person that just wants to be contrary.
Sixteen moons, Sixteen years Sixteen of your deepest fears Sixteen times you dreamed my tears Falling, Falling through the years
The editing of a song is largely what makes the song for me and I think that actually if I had started going like 'I want you to burn' it would have pinned that song down to a particular thing and made that song a smaller idea than what it is. By leaving that off it's much more open, broader.
The cover I was really excited about was 'Seventeen' magazine. To me, it was much bigger than 'Time.' 'Seventeen' was where I wanted to be.
I've wrecked and ravaged half my life in the pursuit of women, and I suffer the pangs of about seventeen regrets -- the seventeen who got away.
In 1932, the predecessor organization, the CDC, took 299 black sharecroppers from the South who had syphilis. They offered them free healthcare, hot lunches, and free burial. They said you can only come to us for healthcare. These were men who were sharecroppers, and they had syphilis. They were never told they had syphilis.
Actually think anybody ever approaches writing any song, I think the song approaches them, truth be told. Usually what happens is that a song arrives and afterwards you say that "I wrote the song," and it's not actually true; they find you, they write themselves.
I actually did a project with my puppet one time in fourth grade. I made up a song that went with the rhythm to a song I do now. And I had to make up a song about a penguin and research and put information in the song about a penguin. And I sang it with my duck, because I didn't have a penguin puppet, but close enough.
I was sixteen then, and I'm seventeen now, and sometimes I act like I'm about thirteen. Sometimes, I act a lot older than I am--I really do. But people never notice it. People never notice anything.
When I'm singing a song, I'm in that song, and I'm thinking about what emotions I should bring to the song. Voicing a character was very similar. It was high energy, and I had to really think about the emotion of what was going on in the scene.
When I was sixteen or seventeen, I wanted to be a writer. I wanted to be a playwright. But everything I wrote, I thought, was weak. And I can remember falling asleep in tears because I had no talent the way I wanted to have.
When a song blows your mind the first time you hear it, you don't know where it's going. It's blowing your mind as it's unfolding. Then there's that sensation that you're actually going to remember the song.
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