A Quote by Amy Schumer
Comedy isn't really something where you get discovered. You can't network your way to being funny or talented. It's not hard to get seen if you're funny. If you're funny, talented, and work hard, you will go somewhere.
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My philosophy is that if you're playing a moment truthfully, that it's a funny moment, then hopefully it will be funny. I like to just go for a truth in the work as much as I can. There's a lack of ego when you're working with comedy that I really love. It's hard to come up with something funny. It's become a fun game in a way. Everyone is going for the gold, for that humor.
I was able to work with some really talented funny people! I was a fan of both Max Greenfield and Jake Johnson before being on the show and it was amazing working with them! My main scene was with Max and we did so many takes with different reactions. He is so funny! After ever take everyone was laughing so hard!
I just hate the whole idea of labeling anything as a comedy. If you tell me something's funny, I'll want to rebel against it. When I go to a bookstore and see books categorized as humor, I get furious. Don't tell me that a book is funny. Let me decide if it's funny. It's the same with sitcoms. You call something a sitcom and people expect it to be funny. And that ruins everything.
One night I went to this comedy club and paid a hard-earned $5 to get in, and every comic that came up was dry as an old turkey wishbone, as in not even close to being funny. When you're broke and you pay $5 to see somebody, you want them to be funny.
One second here and there will make all the difference between something being funny and not being funny. That's why I like going, 'Well, we wrote that six months ago, and it was funny one time we read it, but it's not funny anymore. So what? Just dump it.'
I love doing comedy. I find comedy quite hard work. Comedy's underrated, I think, by actors, you know? It's difficult to get it right and get it funny. I really enjoy doing it. I kind of wish I'd done it more. I can't complain. I've had a fair crack of the whip.
Honestly, it's hard to learn about comedy from comedians. Comedy is not something that you necessarily learn or can imitate. You're funny or you're not, and you hope what you're doing is funny.
There is something about the vocal quality of the actors who can really do it. Jim Burrows, the great sitcom director who directed Will & Grace and Cheers, when an actor comes in to audition for him, he never looks at them. He just listens. Because funny is funny. You can be fooled by the eye, but if your performance is funny to the ear, it will be funny.
It's hard to learn about comedy from comedians. Comedy is not something that you necessarily learn or can imitate. You're funny or you're not, and you hope what you're doing is funny.
Some people are brilliant at being comedy actors and if you're a comedian I think there's a perception that, if you're acting at something that's meant to be funny, it will be funny all the way though and you'll be dropping in gags.
I do feel like guys feel pressure to be funny with me, which is kind of annoying. It's a turn-off if someone's trying hard to be funny because it feels like they're auditioning for a comedy job or something. It doesn't feel romantic to me. I get so much comedy from my life that, from a guy, I'm more looking for something sweet or romantic.
My mum and dad are both really funny. My granddad's really funny. My uncle's really funny. Everyone's really funny. You have to be quick; otherwise, you get roasted. Everyone takes the piss quite a lot. You have to be really sharp.
My mum and dad are both really funny. My granddad's really funny, my uncle's really funny, everyone's really funny. You have to be quick, otherwise you get roasted. Everyone takes the piss quite a lot. You have to be really sharp.
I think if you have a funny thought, and you want to get off a funny point, try to do it as realistically as you can. If you try to act it funny and accent the funny points, or do it in a funny style, you kind of lose it.
[In comedy] you never want to leave the actors hanging out to dry. So you need to come up with funny individual stories for each character, and then you do this sort of comedy geometry, weaving them together. Once you've got a funny structure and you know why the scenes are funny, then you get super funny people to say your own lines, say their own lines, say things in their own way, and every scene is a live rewrite in front of the camera.
I can't watch other people doing comedy. As soon as somebody starts being funny I have to turn off because it upsets me. I get comedy indigestion. I just hate anybody else being funny. That's my job.
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