A Quote by Amy Sedaris

Usually I'm the one asking somebody to do something because I don't know how to finish it. I'm like, 'Do this for me' because I'm just resistant to learning. — © Amy Sedaris
Usually I'm the one asking somebody to do something because I don't know how to finish it. I'm like, 'Do this for me' because I'm just resistant to learning.
When you're in a situation where somebody puts something on you that you don't even know how to defend because it's not true... how do you defend that? It's just like, 'You know what? I'm going to take what you said about me, flip it, and make it lucrative.'
You always have your complaints about your own music. I never finish a track because I decided to finish. It's like, I just finish a track because I'm tired of it, you know? So you could be finishing songs forever, I think, if you are quite a perfectionist.
Anything that we know how we do, machines will do better. Now, the key element of this phrase is, "We know how we do it." Because we do many things without knowing exactly how we do them. So this is the area where machines are vulnerable, because it still has to learn from some kind of experience. It needs something - at least the rules of the game. You have to bring in something that will help the machine to start learning. It's like square one. If there's nothing there, if you can't explain it, that's a problem.
Now Ive got this moniker that Im the foot-in-mouth gal, and I keep thinking, In what way? Because I said something you dont agree with? Because I said something you dont like? Im just telling you my opinion. I hate the idea that I cant be honest about how I feel about things because its going to piss somebody off who feels differently. That seems preposterous to me.
I think I write or publish as much as I do because I can bear being without a book to work on. But routinely when I finish a book, I think, "What will I do? Where will I get an idea?" And a kind of low-level panic sets in. And then eventually something happens. I don't know. If I knew how it happened I would repeat the process, but I don't know - something just occurs to me.
Gaga and Stefani are my nicknames. I guess when people meet me for the first time and call me Stefani, it bothers me. Because it's something that's reserved for only the people who are closest to me. It's not because I don't like my given name; it's that I became somebody else. I became somebody else for a reason, you know. This is part of what my message is - you can become whoever you want to be, to escape your past.
I am nervous about how my debut novel will be received, because there's always that feeling that somebody might say something negative. I say I won't read the reviews, but I probably will. But just because somebody says something negative, I don't have to believe it.
Everyone today is like, 'Shailene, you're getting so much buzz. How does the feel?' It's the most odd question because it's like asking a kid who got into Cornell how it feels to be the top of your class at one of the Ivy League schools. How do you answer that? You just go, 'I don't know.'
Everyone today is like, 'Shailene, you're getting so much buzz. How does the feel?' It's the most odd question because it's like asking a kid who got into Cornell how it feels to be the top of your class at one of the Ivy League schools. How do you answer that? You just go, 'I don't know.
I'm taking drama classes, they say I'm a natural actress. I think it's just because I talk a lot. I'm also learning how to play guitar and piano. Piano is really hard though. My dad is teaching me and I just get so confused because the chords are so different, but by learning I hope to be able to be a songwriter as well.
Because what's the use of learning that I am one of a long row only - finding out that there is set down in some old book somebody just like me, and to know that I shall only act her part; making me sad, that's all. The best is not to remember your nature and your past doings have been just like thousands' and thousands', and that your coming life and doings'll be like thousands' and thousands'.
Somebody asked me at one stage, 'Are you depressed?' And I said, 'Are you kidding me? I'm not depressed.' But you know what? I was. I was, but I just didn't realize it, because all these things happen, and you just don't know how to deal with emotions.
Most challenging, mainly for me, learning how to bump, learning to trust your body and trust somebody else with your body, when we're learning how to do bodyslams and suplexes and figuring out how to kick somebody right while making sure to protect each other. In the beginning, for me, a forward roll was pretty challenging.
I'm astounded whenever I finish something. Astounded and distressed. My perfectionist instinct should inhibit me from finishing; it should inhibit me from even beginning. But I get distracted and start doing something. What I achieve is not the product of an act of my will but of my will's surrender. I begin because I don't have the strength to think; I finish because I don't have the courage to quit. This book is my cowardice.
I have been a fan of movies from a very young age, and somehow, the magic of that - every single time I hear something or read something that could be made into a wonderful film or something somebody is asking me to be a part of - that connects. It just makes me feel like I'm going to be part of something magical again.
College is such a unique time because you're learning a little bit how to be an adult. You're learning how to take care of yourself without parental influence, and you're exposed to so many great minds. I feel like I didn't even know how to think until I got to college.
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