A Quote by Amy Sedaris

I like working with the public, I like working with food, and I like making cash. — © Amy Sedaris
I like working with the public, I like working with food, and I like making cash.
You just do you like when you're doing any other song. It's nothing different. Some people are like "How's it like working with Kendrick Lamar?" and really, it's like working with anyone else that I work with.
I do have a sense of fear every day going to work, but I think it's something that I like. I mean I do like the feeling of waking up on my own, having this moment of like: "Oh, f**k, I hope I can do this today!" Because it makes you realise that you're working with material or you're working with a director or you're working with a cast and they're keeping you on your toes.
When I'm working, I need to be pretty disciplined, but I do like to enjoy my food. I like to keep it fresh and wholesome. Preparing your own food can be a great way to unwind.
I actually quite like working with kids and I like working with animals, which is what everybody says you shouldn't do, because it makes you feel like you're not acting.
I like working on the house, small carpentry stuff. I also like working on the van. That's about as quiet as my mind gets, I think. I always loved working on the How's Your News? TV show and at Camp Jabberwocky too.
I actually quite like working with kids and I like working with animals, which everybody says you shouldn't do. It makes you feel like you're not acting, as soon as you have someone who's providing stuff to react to.
I feel like when I'm working and when it's not my time off, I like working out alone because it's kind of like that time that my mind gets to just shut off and I can just focus on working on being a better boxer.
I like the concentration, the crush; I like working with language, as others like working with clay, or notes.
I just happen to like the work. I like preparing for a role. I like reading. I like analyzing. I like literature. I like emotions. I like working with other actors.
When you're on a movie set and you are hopefully making a comedy, everyone's stifling their laughter. You're looking at the crew guys, hoping someone is making that face like, and not like, this is not working out, man.
I don't really like to write at a desk. I like to write when driving in a car. ... Once you're working on it, you're working on it all the time, and sometimes stuff'll come in the middle of the night, in a dream or something. Your mind is working on it all the time.
I think where I've instinctively found myself is that I am somewhat guarded in my public life. Being interviewed or being photographed or just in public attention, I have a certain reserve. But when I'm working I feel like I'm very open. At least I like to believe that I feel like nothing is held back when I'm in front of a camera. That's my job.
I like working with the public, and I like that it's really hard work.
Show-running is a very difficult job that includes so many responsibilities; I'm working with the actors, working with directors, writing, making decisions like, 'What fabric is that sofa gonna be?'
Working with Woody [Allen] is like an emotional strip club without the cash.
When I first started working, I was very aware of the fact that I'd been to university and studied Russian and French and not acting. So when I started working, I'd started working quite young, I felt like it was important to treat myself kind of like an apprentice and do as many different types of things as I could.
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