A Quote by Amy Sedaris

If I know I have to memorize lines, I'm really gonna try to memorize lines. It's hard for me sometimes, because somebody wrote these words and you're trying really hard to get them the way they said it.
I memorize my lines and I show up. I think it's just instinctual, and sometimes it's wrong and the director says, "No, do it this way." And then I can change, because I didn't spend all night practicing it this one way. All I do to get ready for the day is the night before, I read my lines once or twice, memorize them, and then I show up.
The only set thing I do is that I really, really memorize the lines. I've gotta be so comfortable with the words.
It's funny because, if you're not an actor, people always tend to say, 'How do you memorize all those lines? Is that really hard?' I'm always like, 'That's just a small part of it. I have to seek my craft and my emotions' - you know, all this gross, actor-y stuff.
One thing I've really never had a problem with was memorizing lines. Most of the time I don't memorize the lines until we're on the set shooting the scene.
You really have to work hard to create a three-dimensional character. You have to rehearse and explore and take your time. You can't just memorize your lines and do it on the fly.
I'm always trying to memorize lines, whether I understand them or not.
They do the soaps differently in Mexico. You just have to know the storyline and not memorize the lines. There would be someone feeding you lines while you were performing.
I was trying so hard. I would memorize the entire script, then I'd be lipping everybody's lines while they were talking. When I watch those episodes, it's disgusting. My performances were horrible.
I always wrote. I wrote from when I was 12. That was therapeutic for me in those days. I wrote things to get them out of feeling them, and onto paper. So writing in a way saved me, kept me company. I did the traditional thing with falling in love with words, reading books and underlining lines I liked and words I didn't know.
The great thing with comedy is that I don't memorize ahead of time like I did on 'Breaking Bad.' With 'Breaking Bad,' I wanted to know those words inside and out, really have my lines down so I could say them verbatim. But with comedy, you keep it a lot more loose.
Learning lines is on my mind until I do know them. I'll read the paper or paint the house to keep from starting to memorize. I've never found an easy way.
I was trying to pay the bills with poems, and it was easy to memorize my poems, because I'd be riding my bike in California trying to memorize them before going on stage at a poetry lounge.
I think initially it's terrifying because going into a show where, you know, "Oh, I'm going to be on stage for two hours, I have no lines to memorize, I have nothing really prepared," and actually I say that, the show is not all improvising.
You make a decision whether you just work on the script and believe in every moment and pick out every moment, or if you sit down and memorize lines. Once you really dig into a script, learning lines becomes almost second nature.
Sometimes I try to improve the language, the lines, or the delivery, but I don't ad-lib because I think that makes it really hard for everybody else involved.
Memorizing lines isn't really hard. Only with really hard words and stuff.
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