A Quote by Amy Sherald

I want my portraits to create a space where blackness can breathe. — © Amy Sherald
I want my portraits to create a space where blackness can breathe.
The blackness of space was a big shock to me. It is a deep, three-dimensional, oily blackness. You can feel the distance.
Pure photography allows us to create portraits which render their subjects with absolute truth, truth both physical and psychological. That is the principal which provided my starting point, once I had said to myself that if we can create portraits of subjects that are true, we thereby in effect create a mirror of the times in which those subjects live.
Sometimes I feel like I'm not solid. I'm hollow. There's nothing behind my eyes. I'm a negative of a person. All I want is blackness, blackness and silence.
All I want is blackness. Blackness and silence.
Being a black artist, the first thing people want to talk about is your blackness, the importance of your blackness, and your black presence.
Being a black artist, the first thing people want to talk about is your blackness, the importance of your blackness and your black presence.
What you want is a comfortable environment that you feel you can invent in. Because film is such a lumbering, technical, huge, great Neanderthal thing, it's hard to create that little space of peace, and calm, and creativity, and ease. That's what you want the director to create for you, so that when you walk on the set, you forget all of that, and the fact that it's costing gazillions of dollars a second.
I love the night passionately. I love it as I love my country, or my mistress, with an instinctive, deep, and unshakeable love. I love it with all my senses: I love to see it, I love to breathe it in, I love to open my ears to its silence, I love my whole body to be caressed by its blackness. Skylarks sing in the sunshine, the blue sky, the warm air, in the fresh morning light. The owl flies by night, a dark shadow passing through the darkness; he hoots his sinister, quivering hoot, as though he delights in the intoxicating black immensity of space.
I find it difficult to breathe when l'm in the space. There seems to be no oxygen. I want to put people into a situation where they're sensitive to themselves watching the piece.
I create music; I create painting; I create whatever I want to create. I create, what you say, clothes. I create, I don't know, dance move. I create anything.
But, after all, the aim of art is to create space - space that is not compromised by decoration or illustration, space within which the subjects of painting can live.
My paintings are very much about the consumption and production of blackness. And how blackness is marketed to the world.
It made her think of Laika, the dog. The man-made satellite streaking soundlessly across the blackness of outer space. The dark, lustrous eyes of the dog gazing out the tiny window. In the infinite loneliness of space, what could the dog possibly be looking at?
The people have to know what my portraits are like in order to behave in such a way that the result is one of my portraits.
I never had a moment of realization about my blackness - I just was. Blackness was a central thread of my experience as a child and as an adolescent, as it is now that I'm an adult.
I felt that the beach portraits were all self-portraits. That moment of unease, that attempt to find a pose, it was all about me.
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