A Quote by Amy Sherald
When I'm painting and in the zone, it's difficult for me to stop. It can take me half a day to get into that space, and once I do, I only talk to a certain few people who won't disrupt it. Home to sleep and back at it, nothing else outside of getting food. Everything else is an annoyance getting in my way.
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I'm lost in space and I want to find a way home. Nobody else can get me back to the planet, so I have to do it myself.
I think just getting up and getting to the desk is a big thing. If you can do that, you're in the zone because there're so many distractions that can stop you. From my bedroom to my office isn't really that far, but I have to go via the kitchen and there's so many things that can stop me and interrupt me.
What is entrepreneurship, after all? Bigness is not the issue. Poor people are the ones who take challenges every day. The guy who sells a hot dog on the street is as much an entrepreneur as anyone else. Getting his $50 loan to start could be as difficult as finding $50 million for someone else. All people are entrepreneurs.
I think no matter where we go in space to me the important thing is not only getting there and getting back, but it's also doing research, because that opens up as a possibility with that new distance of travel in space.
Me, I'm coming to work, I'm practicing hard every day, I'm eating right, I'm getting the proper sleep, I'm getting the proper rest, everything, I'm giving you all I have. I'm not going to pout if we lose. Yeah, I'm upset I lost, but it's not going to be to that degree like I'm cussing, get away from me, this and that.
When objects shattered into fragments appeared in my painting about 1909, this for me was a way of getting closest to the object... Fragmentation helped me to establish space and movement in space.
Getting into a space suit and going outside, to me, getting your peripheral vision involved and looking at the Earth was a whole different experience than looking through the window. And it's kind of the same on earth. If you're driving in a car and you see like a beautiful sunset or landscape, it looks so much better if you stop and get out and kind of take it all in and that's kind of what it's like doing a spacewalk.
The 'OK Plateau' is that place we all get to where we just stop getting better at something. Take typing, for example. You might type and type and type all day long, but once you reach a certain level, you just don't get appreciably faster. That's because it's become automatic. You've moved it to the back of your mind's filing cabinet.
I spend so much money on food, just getting the food for me is a tremendous expense, so there's no way I could even think about paying for supplements. I think of all supplements as food derivative anyway, so If I can only choose between getting the food or the supplements I'd rather opt for the food.
For me, I never want anyone outside of my immediate family and outside of me to have the power to alter the way that I walk, talk, shop, or date. When you start feeding off of that outside acceptance and accolades, you lose sight of what's actually real. Once you get there, it's kind of hard to double back.
Hurt feelings or discomfort of any kind cannot be cause by another person. No one outside me can hurt me. That’s not a possibility. It’s only when I believe a stressful thought that I get hurt. And I’m the one who’s hurting me by believing what I think. This is very good news, because it means that I don’t have to get someone else to stop hurting me. I’m the one who can stop hurting me. It’s within my power.
People bring me homemade food, and I'm always kind of creeped out. That's definitely happened a few times on tour, and it's like, "There's no way that's getting eaten. That's getting put down as soon as you're out of my sight."
I hate phone calls, so I believe in a telephone armistice. To me, the idea of calling someone unprompted is basically saying, 'Hey, stop whatever you're doing and talk to me right now.' If you find yourself in the middle of something, getting an unprompted annoyance is incredibly frustrating.
People constantly describe me as a formalist or even a minimalist, but I'm not really bothered with the rules of painting or the history of painting. My approach is that everything is mine. I take what I can use from wherever, and then I forget where I've taken it from. But there is no point me making anything that looks like anyone else's.
With everything we do in life we identify ourselves. Here is a man who says harsh words to me. I feel anger coming on me. In a few seconds anger and I are one, and then comes misery. Attach yourselves to the Lord and to nothing else, because everything else is unreal. Attachment to the unreal will bring misery. There is only one Existence that is real, only one Life in which there is neither object nor [subject].
Once you click into a character, to a certain degree, you can do a lot else. You can do other stuff, then come back and click right into the character. It's sort of funny that way, the way the mind works. Once it's there, it's sort of there. For the stage, for example, all through the day, you're not onstage. You're living your life, la-la-la, then the lights go down, then boom! All of a sudden, you're in this thing. There's a kind of reflex muscle trigger that happens, and all of a sudden you're back into the role. It's just getting there in the first place that's tricky.
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