A Quote by Amy Sherald

I paint American people, and I tell American stories through the paintings I create. — © Amy Sherald
I paint American people, and I tell American stories through the paintings I create.
I don't paint over my paintings with black paint. I paint black paintings. It isn't because I'm sad, just as I didn't paint red paintings yesterday because I was happy. Nor will I paint yellow paintings tomorrow because I'm jealous.
The rise of anime had to happen. If the Japanese could tell better American stories, it would go through the roof. They still tell stories which are very much oriental. I take my hat off to them.
Even though I was super personal with 'American Teen,' I want to tap in and not just tell my own stories but tell the stories of other people - so that I can help as many people as possible.
I'm interested in Native American and African American stories, and LGBTQ stories and stories of persons of mixed heritage. These are the stories I want to see onscreen and on the pages.
I think that is what we do by preserving and telling our stories. If you don't tell your stories, other people will tell their story about you. It's important that we nurture and protect these memories. Things change. Existence means change. So, the kind of precious memories about being black for my generation won't exist for my kids' and grandkids' generations unless we preserve them through fiction, through film, through comic books, and every other form of media we can possibly utilize to perpetuate the story of the great African-American people.
The administration says the American people want tax cuts. Well, duh. The American people also want drive-through nickel beer night. The American people want to lose weight by eating ice cream. The American people love the Home Shopping Network because it's commercial-free.
In daring to re-tell the stories of the last twelve American presidents, both public and private, I knew I would incur some outrage with 'American Caesars.'
I was undeterred by the danger of traveling as a single American woman through Taliban-governed land. I believed in the stories I wanted to tell, the stories I felt were underreported, and I was convinced that that belief would keep me alive.
Whether you look at 'Glee' and its normalization of gay identity or you look at the work of Martin Scorsese and the Italian-American community, American culture is able to take these stories, which are seen as marginalized, and just turn them into American stories. And you don't think twice about it.
You see the one thing I've always maintained is that I'm an American Indian. I'm not a Native American. I'm not politically correct. Everyone who's born in the Western Hemisphere is a Native American. We are all Native Americans. And if you notice, I put American before my ethnicity. I'm not a hyphenated African-American or Irish-American or Jewish-American or Mexican-American.
Baseball is the exponent of American Courage, Confidence, Combativeness, American Dash, Discipline, Determination, American Energy, Eagerness, Enthusiasm, American Pluck, Persistency, Performance, American Spirit, Sagacity, Success, American Vim, Vigor, Virility.
No, I’m not an American. I’m one of the 22 million black people who are the victims of Americanism. One of the … victims of democracy, nothing but disguised hypocrisy. So, I’m not standing here speaking to you as an American, or a patriot, or a flag-saluter, or a flag-waver - no, not I. I’m speaking as a victim of this American system. And I see America through the eyes of the victim. I don’t see any American dream; I see an American nightmare.
I feel like it's important for young African-American girls - and all people - to read books that tell our stories and watch movies that tell our stories and do the research on our own, too, because sometimes that's not being told, and we're not being seen and shown.
The idea of taking classic American stories and reinterpreting them for a time and place is not just commercially viable. These stories also carry a sensual nature of what it meant to be an American, and they deserve to be reinterpreted.
Getting into the banjo and discovering that it was an African-American instrument, it totally turned on its head my idea of American music - and then, through that, American history.
I've always wanted to create drama in my pictures, which is why I paint people. It's people who have brought drama to pictures from the beginning. The simplest human gestures tell stories.
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