I don't paint over my paintings with black paint. I paint black paintings. It isn't because I'm sad, just as I didn't paint red paintings yesterday because I was happy. Nor will I paint yellow paintings tomorrow because I'm jealous.
That's what I paint, I paint people. They're portraits, but you won't always be pleased with the way you look in my paintings. Which is fine, I guess. Unless you're buying it, and it's of your kid!
The old, sad art colors are gone. Now I paint bright colors. I paint paintings which are happy, where children are laughing and playing with animals. I paint paradise on Earth. I still paint sadness sometimes, but there is sadness in the world, too.
I love to paint. It's more of a hobby, but people love the paintings so much that I end up selling whatever I paint.
Van Gogh was asked how he created such beautiful paintings. He said I dream my paintings and then I paint my dreams.
I want to make beautiful paintings. But I don't make beautiful paintings by putting beautiful paint on a canvas with a beautiful motif. It just doesn't work. I expect my paintings to be strong and surprising.
I want to make paintings full of colour, laughter, compassion and love. I want to make paintings that will make people happy, that will change the course of people's lives. If I can do that, I can paint for a hundred years.
What inspires me to paint is life, my emotions, through my paintings I want people to understand that life isn't always happy but you should be always hopeful that's why I use bright colors in my paintings, that's what I want people to feel about me and when they see my art.
When I started to do these Pop paintings seriously, I used all these other paintings - the abstract ones - as mats. I was painting in the bedroom, and I put them on the floor so I wouldn't get paint on the floor. They got destroyed.
One of Cezanne's unfinished paintings... appears to be a completed work even though only a few strokes of paint have been put down. My methods are similar... I expect each of my paintings to appear whole in every stage.
I think of film when I paint. Even the luminosity that I always keep working for is really about film. But my idea is not to paint paintings that will decorate somebody's house.
I paint the way some people write an autobiography. The paintings, finished or not, are the pages from my diary.
I paint the way some people write their autobiography. The paintings, finished or not, are the pages of my journal, and as such they are valid.
I paint for the sheer joy of painting. I have never sold any of my paintings. I'd rather give them to people for free.
Painters paint outdoors, or in rooms full of people; they paint their lovers, alone, naked; they paint and eat; they paint and listen to the radio. It is a soothing way of doing your job.
People are still making paintings. People are still enjoying paintings, looking at paintings. Paintings still have something to tell us. There's a way of being in the world that painting brings to us, that painters bring to the task that we absorb and are able to be in dialogue with. That's something that's part of us.