A Quote by Amy Sherman-Palladino
I think music on television is just uniformly dreadful. It is mundane, it says nothing.
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It became inevitable that television would address life's mundane problems because television itself is so mundane, part of the ordinary flow of time the way those problems are.
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Just when you think there's nothing to write about, Nixon says, "I am not a crook." Jimmy Carter says, "I have lusted after women in my heart." President Reagan says, "I have just taken a urinalysis test, and I am not on dope."
No press, no television. If my mom calls and says, 'Did you hear about?' I don't want to know nothing about anything that is going on in relation to music. I shut it all off.
In the mundane, nothing is sacred. In sacredness, nothing is mundane.
The partisans of eugenic planning hear that other music, the music that says that there shall be nothing random in the world, nothing independent, nothing moved by its own vitality, nothing out of keeping with some idea: even our children must not be our progeny, but our creation.
Just as our bread, mixed and baked, packaged and sold without benefit of accident or human frailty, is uniformly good and uniformly tasteless, so will our speech become one speech.
Opera on television in Europe is very important. If you think about it in the broadest sense: a lot of the dramas made in India with music are practically operas. They're not sung but they have a very big appeal. I don't know why American television people are so stupid but at the moment, they just seem to have some sort of a block. They just do what they do and they do it for a certain number of years. Then it wears out and they try something else. It's just a matter of time I think.
We're horribly mundane, aggressively mundane individuals. We're the ninjas of the mundane, you might say.
Berlioz says nothing in his music, but he says it magnificently.
What good is music? None ... and that is the point. To the world and its states and armies and factories and Leaders, music says, 'You are irrelevant'; and, arrogant and gentle as a god, to the suffering man it says only, 'Listen.' For being saved is not the point. Music saves nothing. Merciful, uncaring, it denies and breaks down all the shelters, the houses men build for themselves, that they may see the sky.
You know, I really think that when God puts together families, he sticks his finger into the white pages and selects a group of people at random and then says to them all, 'Hey! You're going to spend the next seventy years together, even though you have nothing in common and don't even like each other. And, should you not feel yourself caring about any of this group of strangers, even for a second, you will just feel dreadful
I got tired of doing battle with people thinking I was a little weird because I wasn't in a band making happy, stilted music. The only people who really seem weird to me are people who think they're normal. People who think it's possible to be normal just by doing the same things that most people do. Is there a most people? I don't know. Television makes it seem like there is, but I think that might just be television.
But in some ways I think it's braver to do it like this. And, to an extent, you know what? The worst that can happen is that everyone says, 'Well, that was dreadful, she should have stuck to writing for kids' and I can take that. So, yeah, I'll put it out there, and if everyone says, 'Well, that's shockingly bad – back to wizards with you', then obviously I won't be throwing a party. But I will live. I will live.
To most people, jazz-fusion means this dreadful synthetic jazz-rock thing, this jazz-Muzak, which I detest. They also think of jazz as a specific form of music, while to me it's just the opposite.
To me, the idea of a weatherman is really powerful. There's a guy on television or on the radio telling us the future, and nobody cares. It's this daily mundane miracle, and I think the songs I chose are about noticing the beauty in normal, everyday life.
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