A Quote by Amy Tan

I have loved works of fiction precisely for their illusions, for the author's sleight-of-hand in showing me the magic, what appeared in the right hand but not in the left.
Dai Vernon, the greatest sleight of hand figure in the history of the art, rarely performed. But he invented magic and had an enormous influence on the whole range of sleight of hand. And so often the magic he was doing was to fool other magicians.
Dai Vernon, the greatest sleight of hand figure in the history of the art, rarely performed. But he invented magic and had an enormous influence on the whole range of sleight of hand. And so often, the magic he was doing was to fool other magicians.
My left hand is my thinking hand. The right is only a motor hand. This holds the hammer. The left hand, the thinking hand, must be relaxed, sensitive. The rhythms of thought pass through the fingers and grip of this hand into the stone.
When you play piano, your left hand and right hand are synced. Your brain basically has a clock, so that the right hand knows that 0.3 seconds after I hit this key, I need to hit that one. And the right hand knows not to hit keys that the left hand is playing, so the hands do not collide.
I have never been able to write with anything more than the left hand of my mind; the right hand has always been engaged in something to do with personal relationships. I don't complain, because I think my left hand's power, as much as it has, is due to its knowledge of what my right hand is doing.
My left hand is my thinking hand (image), my right hand my doing hand (sequence).
If you do sleight of hand without trying to cheat someone, that's what magic is.
I was born left-handed, but I was made to use my other hand. When I was writing 'Famished Road,' which was very long, I got repetitive stress syndrome. My right wrist collapsed, so I started using my left hand. The prose I wrote with my left hand came out denser, so later on I had to change it.
...I remain restless and dissatisfied; what I knot with my right hand, I undo with my left, what my left hand creates, my right fist shatters
When [the magician] clicks his fingers and cards change to the four aces, we know we have experienced sleight of hand. Real magic would not be quite that quick and easy. Real magic would take investment. Real magic would draw you in, and make you nervous.
I always pet a dog with my left hand because if he bit me I'd still have my right hand to paint with.
They wanted me to be a concert pianist, because I had a very good right hand, but my left hand's terrible and I hated performing.
The twentieth century saw a professionalization of fiction writing, particularly in its second half and particularly in the Anglo-Saxon world - not so much mainland Europe, for example. This professionalization is a tragedy. Hand in hand with this - and I have no idea what the causal relations are - there has been a rise in the idea of The Author, so that today one often has the impression that what's selling the book is not the book but the author.
A lot of the audience know that magic tricks are largely sleight of hand stuff, but they're intrigued by the mind stuff. They understand some of the principles behind it . . . but they're confused by how it's all mixed together onstage, which is good for me.
There are times I'm approaching turns with my right hand on the brake lever, I'm downshifting with my fingers, I'm controlling the throttle with my left hand and steering into the corner with only one hand on the wheel. I feel a bit like Jimi Hendrix: I play with both my hands.
When two terms belong to the same category, it is proper to construct conjunctive propositions embodying them. Thus a purchaser may say that he bought a left-hand glove and a right- hand glove, but not that he bought a left-hand glove, a right- hand glove, and a pair of gloves. 'She came home in a flood of tears and a sedan-chair' is a well known joke based on the absurdity of conjoining terms of different types. Now the dogma of the Ghost in the Machine does just this. It maintains that there exist both bodies and minds.
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