A Quote by Amy Tan
And I remember wondering why it was that eating something good could make me feel so terrible, while vomiting something terrible could make me feel so good.
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Eventually, when I got the 'Meadowland' script, I saw something in it that made me think I could make something special out of it, something that could work with my style. Emotionally, I connected to it. I thought, 'If I feel this way just imagining it, maybe we can make that happen on screen and make people feel something when they watch it.'
The thing that has always baffled me about people's perception of my writing is the sense that I'm a very controversial, opinionated, polarizing person. I feel like I write about things that I'm interested in, and I describe why they're interesting to me. I could be negative, I guess. It's far easier to write why something is terrible than why it's good.
I love life... Well yeah, and I'm sad, but at the same time I'm really happy that something could make me feel that sad. It's like, it makes me feel alive, you know? It makes me feel human. And the only way I could feel this sad now is if I felt somethin' really good before. So I have to take the bad with the good, so I guess what I'm feelin' is like a, beautiful sadness.
I think for me, the thing that gets me in the right mindset is just watching something funny, something light, something that makes me feel good. Regardless of what it is - when you feel good, when you feel upbeat, creativity flows!
I had often sought for the peace there is in Christ, but I could not seem to find the freedom I desired. A terrible sadness rested on my heart. I could not think of anything I had done to cause me to feel sad; but it seemed to me that I was not good enough to enter Heaven, that such a thing would be altogether too much for me to expect.
He stepped colser. Looked deep into my eyes. Hesitated a millisecond, and then dove in. "I think I'm falling in love with you." Oh. No. "Cole--" "I know how you feel. About me. About him. I just wanted you to know-we could be good together. We could have a life. Kids. Vacations. On Sunday mornings I could serve you breakfast in bed." He gave me his I-know-you-find-me-irrestible grin. "And then I could make you something to eat.
Dear friend, I feel great! I really mean it. I have to remember his for the next time I'm having a terrible week. Have you wer done that? You feel really bad, and then it goes away, and you don't know why. I try to remind myself when I feel great like this that there will be another terrible week coming someday, so I should store up as many great details as I can, so during the next terrible week, I can remember those details and believe that I'll feel great again. It doesn't work a lot, but I think it's very important to try.
I can't remember a major league game where I could make eye contact with my dad. I kept wondering if he was going to yell at me for hanging a pitch or something.
It occurred to me that I was unhappy. And it didn’t feel so very terrible. No urgency, nothing. I could slip out of my life on a slow wave like this—it didn’t matter. I don’t have to be happy. All I have to do is hold on to something and wait.
Capitalism has proven to be a far more terrible system than Marx could ever bring himself to imagine. Those who are so deluded as to find something good in it, or even feel loyalty toward it, are its most pitiful victims.
I always feel bad when people ask me questions. I always felt that I was a terrible interview because I don't have any problems with anyone, and I don't have a terrible past. Or I don't have any terrible problems to talk about that would make interesting articles.
Practically everything I did as an experiment while I was working on the book made me feel cold, angry, and decidedly peculiar. Clinical. Because I wasn't acting from the motives people usually work from: to feel good, to have fun, to make something last.
If I was to see any of my films now I would feel, oh god you know it's awful I could do that so much better now. Look at all the terrible things I did and all the mistakes and all the compromises and all the blunders I made, and it would be such a terrible experience for me to see them. So it's better that I put it out and move on to the next thing and make it history as quickly as possible.
As long as I can make an audience feel something, I don't care whether it's a good thing or bad thing, just to feel something is important to me.
Think thoughts that make you happy. Do things that make you feel good. Be with people who make you feel good. Eat things that make your body feel good. Go at a pace that makes you feel good.
I feel as if something has been torn suddenly out of my life and left a terrible hole. I feel as if I couldn't be I — as if I must have changed into somebody else and couldn't get used to it. It gives me a horrible lonely, dazed, helpless feeling. It's good to see you again — it seems as if you were a sort of anchor for my drifting soul.
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