A Quote by Amy Waldman

Fabricating reality was criminal; editing it, commonplace. — © Amy Waldman
Fabricating reality was criminal; editing it, commonplace.

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In existing criminology there are concepts: a criminal man, a criminal profession, a criminal society, a criminal sect, and a criminal tribe, but there is no concept of a criminal state, or a criminal government, or criminal legislation. Consequently what is often regarded as "political" activity is in fact a criminal activity.
Reality TV finds talented people. There are no scripts. The editing is what it's all about. Great editing makes those shows.
The characteristic of the hour is that the commonplace mind, knowing itself to be commonplace, has the assurance to proclaim the rights of the commonplace and to impose them wherever it will.
Editing is now the easiest thing on earth to do, and all the things that evolved out of word processing - 'Oh, let's put that sentence there, let's get rid of this' - have become commonplace in films and music too.
Editing is the only process. The shooting is the pleasant work. The editing makes the movie, so I spend all my life in editing
Editing is the only process. The shooting is the pleasant work. The editing makes the movie, so I spend all my life in editing.
We all know that the 'reality' of reality TV is an artful construction, an effect not only of editing but of a Lorenzian rat-in-a-mirrored-labyrinth artificial environment which attenuates psychology into a series of territorial twitches.
In books, the proportion of exceptional to commonplace people is high; in reality, very low.
Sometimes the most difficult thing you can do as an editor is not make a single note - the idea that everything and everyone needs editing is, in reality, a fiction. I've gotten pieces where I thought, Well, I could do this or that, or change this word, but in the end, I leave it. Changing something is not necessarily equivalent to making the piece more true to itself, which is the point of editing: it's just changing it because you feel you can or should or must.
All three parts of filmmaking [writing, shooting, editing] contribute to rhytm. You want the script to be a tight as possible, you want the acting to be as efficient as possible on the set, and you have enough coverage to manipulate the rhythm in the editing room, and then in the editing room you want to find the quickest possible version, even if it's a leisurely paced film. I definitely in filmmaking more and more find writing and directing a means to harvest material for editing. It's all about editing.
Where I come from, once word gets out that you've cooperated with the police, that only makes you a bigger target of criminal violence. That is a dark reality in so many neighborhoods like mine across America. I'm not saying its right, but it's reality.
Everyone is a criminal! We are beset on all sides by antirevolutionary forces. Naturally, then, humans fall into three categories: the criminal, the not-yet-criminal, and the not-yet-caught.
You must stop editing--or you'll never finish anything. Begin with a time-management decision that indicates when the editing is to be finished: the deadline from which you construct your revisionary agenda. Ask yourself, 'How much editing time is this project worth?' Then allow yourself that time. If it's a 1,000-word newspaper article, it's worth editing for an hour or two. Allow yourself no more. Do all the editing you want, but decide that the article will go out at the end of the allotted time, in the form it then possesses.
I think I learned most from editing, both editing myself and having someone else edit me. It's not always easy to have someone criticize your work, your baby. But if you can swallow your ego, you can really learn from the editing.
Given the inefficiencies of what DC laughingly calls the 'criminal justice system,' I think we can safely assume that 95 percent of the black males in that city are semi-criminal or entirely criminal.
A harsh reality of newspaper editing is that the deadlines don't allow for the polish that you expect in books or even magazines.
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