A Quote by Amy Winehouse
A song marks an occasion in my life and that's how I live my life, by songs.
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I have amassed an enormous amount of songs about every particular condition of humankind - children's songs, marriage songs, death songs, love songs, epic songs, mystical songs, songs of leaving, songs of meeting, songs of wonder. I pretty much have got a song for every occasion.
Certain songs have a life, and certain songs don't. A song is like a saddle: you ride it for a while, and if it's the right kind of song you can sing it for the rest of your life. And then other songs are only really important for certain periods of your life, and you move on from them and find yourself not necessarily needing to sing them anymore.
In fact I wonder if I should bend my own rules a little and for the sake of writing a good song it doesn't have to been so autobiographical, but that's a stupid rule to live by as some of my favourite artists' songs, they have a song that you think is about their life [which] probably even isn't, but it's a great song.
I live my life with love. I live my life with compassion. I live my life hoping the best for absolutely everyone, no matter how they feel about me. And when you live that way, it's amazing how beautiful every day can be.
We are not here just to survive and live long .... We are here to live and know life in it's multi-dimensions, to know life in its richness, in all it's variety. And when a man lives multi-dimensionally, explores all possibilities available, never shrinks back from a challenge, goes, rushes to it, welcomes it, rises to the occasion then life becomes a flame, life blooms.
We've played it [Milquetoast] a million times. When you play a song that much you sort of become disconnected with the lyrics. It's just another song essentially about people's opinions and being told how to live your life even though they may have less life experience than you have.
Just live that life. It doesn't matter whether it is life or hell, life of the hungry ghost, life of the animal, it's okay; just live that life, see. And as a matter of fact no other way. Where you stand, where you are, that's what your life is right there, regardless of how painful it is or how enjoyable it is. That's what it is.
As you move through this life...you leave marks behind, however small. And in return, life - and travel - leaves marks on you.
Travel changes you. As you move through this life and this world you change things slightly, you leave marks behind, however small. And in return, life - and travel - leaves marks on you. Most of the time, those marks - on your body or on your heart - are beautiful. Often, though, they hurt.
The whole life of a song doesn't end with the way that it sounds on the record. How does this song grow? What works live? What do people like to sing along to?
Life is an opportunity, benefit from it. Life is beauty, admire it. Life is a dream, realize it. Life is a challenge, meet it. Life is a duty, complete it. Life is a game, play it. Life is a promise, fulfill it. Life is sorrow, overcome it. Life is a song, sing it. Life is a struggle, accept it. Life is a tragedy, confront it. Life is an adventure, dare it. Life is luck, make it. Life is too precious, do not destroy it. Life is life, fight for it.
It's interesting how songs can evolve. Sometimes I'll write a song that feels relevant in the moment, but four years later, I don't want to sing it anymore. Then something will happen in my life, and the song becomes relevant again.
My own personal tastes don't really have an effect on whether song is a parody target or not. But having said that, I try to pick songs that I actually like because I realize that I have to live with these songs for a long time, from when I'm working on them in the studio to possibly playing them onstage for the rest of my life. So I try not to pick songs that I know would drive me crazy.
With the aurora borealis flaming coldly overhead, or the stars leaping in the frost dance, and the land numb and frozen under its pall of snow, this song of the huskies might have been the defiance of life, only it was pitched in minor key, with long-drawn wailings and half-sobs, and was more the pleading of life, the articulate travail of existence. It was an old song, old as the breed itself--one of the first songs of the younger world in a day when songs were sad.
To be lovingly present through the primal, naked pain that marks aspects of birth, and to be lovingly present through the difficult, heart-wrenching ending that marks aspects of death is to learn about life and love. Fear may be strong but love is stronger. Learning how to love includes learning how to make room for and transform fear. Learning how to live involves learning how to die. Love alone is the most potent power illuminating the breath's journey in between these thresholds. Love is the key. Love is the dance.
"Straight Edge" was a song about my life. There was no structure, no premise as if I was forming a club. There were no tenets. I mean I wrote a song called "Straight Edge," I'll take that, but the song was about my life the way I wanted to live it.
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