A Quote by Amy Winehouse
When I was a little kid it was my dream to go to drama school, but it was never something I thought would happen to me. I was a Jewish girl from North London and things like that don't happen to Jewish girls from North London called Amy Winehouse.
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And I remember that about three years before that, her first record had come out. And I just remember really liking this one song off it called "In My Bed" and being a little bit enamored. This, you know, this young kind of Jewish girl from North London, you know, I have the same thing - from a Jewish family from North London - with this incredible voice.
Ive always done accents and stupid voices. But I went to school in Hampstead, where most of my mates were Jewish, and Jewish North London humour is so clever that I never thought I was funny.
When I was kid, yeah, my family, my parents wanted me to marry a Jewish girl because that was what they taught their children, and thought it would be an easier life for me to raise a Jewish kid. And I have a Jewish wife, I have a Jewish kid. They seem pretty happy about it.
I left the North when I was 21 to go to drama school in London, and I stayed there 12 years.
I was brought up in a flat in North London - virtually the last building in London, because north of us was countryside all the way to the coast, and south of us was non-stop London for 20 miles.
When I was a little kid at home, I thought the whole world was Jewish. For years I thought Roosevelt was Jewish. I loved him. I thought of him as my father. I'm always stunned when I find out that people like Roosevelt and Tolstoy weren't Jewish. How could I love them so much?
If only one country, for whatever reason, tolerates a Jewish family in it, that family will become the germ center for fresh sedition. If one little Jewish boy survives without any Jewish education, with no synagogue and no Hebrew school, it [Judaism] is in his soul. Even if there had never been a synagogue or a Jewish school or an Old Testament, the Jewish spirit would still exist and exert its influence. It has been there from the beginning and there is no Jew, not a single one, who does not personify it.
I could not cherish London and not value Jewish London. The contribution of Jews to London is immense - politically, economically, culturally, intellectually, philanthropically, artistically.
Working with the Jewish community is essential to me and what I stand for. I do explicitly see Jewish people as a people - not either a religion or an ethnicity but a people. The Tories take Jewish London for granted. I will not.
I went to comprehensive school in North London and left without any qualifications [diploma]. And I was doing bits of acting and improv in a drama club in the evenings. Then I discovered you didn't need qualifications to go to art school, you just needed a body of work.
Until he lost all his money, my father was a successful north London Jewish businessman. He was unusual among his immediate family in that he was enormously cultured and had an incredible library.
I have this irrational fear of north London - it feels like proper London, scary and fast moving.
I wanted to become an actor. I went to Guildhall School of Music and Drama, which is one of the main drama schools in London where you go when you are older. But I was doing the junior one when I was a kid. And some friends there had agents. I was fourteen and I was like, "I want an agent! It sounds awesome!" I had no idea what that was. I thought those guys looked like men in black. They were hanging around in suits all the time. So I luckily got a very good agent in London and started auditioning. And then when I was 16, I got my first film and I've been working ever since.
Growing up in South London, we went to a school where there were not that many Jewish kids. I love being Jewish in L.A.; it feels really normal. The culture seems to be integrated into Hollywood. Everyone uses Yiddish words like 'schlep' and 'schmooze.' That's what I love about New York, too.
When you grow up Jewish, you are exposed at a very young age to the phenomenon of anti-Semitism and its extreme manifestation in the Holocaust. I spent a lot of time as a little kid wondering how something like that could happen.
In the case of 'Disobedience,' the very secretive way of life and religion and tradition that the North London Orthodox Jewish community has was a huge invitation to explore an unknown world. And also a possible trap, and I tried to overcome that by portraying it, hopefully, with great nuance and detail and texture.
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