A Quote by Amy Winehouse
I can't be arsed with game players. I'm more 'I like you, do you like me? Let's go and do something about it.' I'm a very straightforward person like that.
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Sometimes I'll go for something more because of the story, or more because of the director. But, generally, I have to feel like it's something that I have a real sympathy for - a person that I can completely go, "Oh, wow, oh, I'm there." Otherwise I don't feel like I will be able to pull it off at all. I know I haven't done everything very well in the past; some things have worked and some things haven't. But I need to feel like I can feel about the person, understand that person, I suppose.
Being in Marin City was like a small town so it taught me to be more [straightforward] with my style. Instead of of being so metaphorical with the rhyme, I was encouraged to go straight at it and hit it dead on and not waste time trying to cover thingsIn Marin City it seemed like things were real country. Everything was straightforward. Poverty was straightforward.
I think when you're younger in the game, you're like, 'Let me go bench. Let me go squat.' Now it's just like, 'Let me work on my balance.' It's about things that are more about injury prevention than getting stronger.
And I found Jesus very disturbing, very straightforward. He wasn't diplomatic, and yet I felt like if I met Him, He would really like me. Don, I can't explain how freeing that was, to realize that if I met Jesus, He would like me. I never felt like that about some of the Christians on the radio. I always thought if I met those people they would yell at me. But it wasn't like that with Jesus.
The way I play, it's very much more a mental game than a physical game. I'm looking for space and where are players leaving space. Defensively, where are we at numerical disadvantages? Do I shift more to the left because they have more players on their right side? It's about reading the game before the game happens.
I ain't got no problem in Boston, I especially like the attention. I know that I'm one of the top guys in this game and all the attention is on me, I got a lot of people on my shoulder but I'm human. I like to go. I like to have fun. I like to do this and that but I gotta represent Boston and the Red Sox in every way that I do outside this game. ... Like I said I get paid to play baseball no [matter] where I go to play I still gotta go and perform even if I like it or not.
Like I always said, if I'm one of the top players in the game, pay me like I'm one of the top players in the game.
Some girls like to say one thing and mean another. And me being who I am, I'm very straightforward. Everything is very black and white for me. I don't really like playing mind games.
I feel like I’m broken—like I don’t fit together anymore. Like there’s no more room for me in the world or something. Like I’ve overstayed my welcome here on Earth, and everyone’s trying to give me hints about that constantly. Like I should just check out.
I think that certain players are going to approach the game differently. I am more of a quiet person. I like to have more of a focused energy and internal energy whereas some people need to be bouncing off the walls to be ready for the game.
Gimme the tune. Do I like this tune? Does it sound like another tune that I like? The more familiar it is, the better I like it. Hear those three notes there? Those are the three notes I can sing along with. I like those notes very, very much. Give me a beat. Not a fancy one. Give me a GOOD BEAT -- something I can dance to. It has to go boom-bap, boom-boom-BAP. If it doesn't, I will hate it very, very much. Also, I want it right away -- and then, write me some more songs like that -- over and over and over again, because I'm really into music.
I don't know, a lot of people go crazy about 'Breaking Bad,' but I don't like the soap opera aspect of it and only following one character. I like the context to all of it, all the pieces, like 'The Wire.' It's more about the state of things; it's not about the narrative of a person.
I think [James] Joyce sometimes enjoyed misleading his readers. He said to me that history was like that parlor game where someone whispers something to the person next to him, who repeats it not very distinctly to the next person, and so on until, by the time the last person hears it, it comes out completely transformed. Of course, as he explained to me, the meaning in Finnegans Wake is obscure because it is a 'nightpiece.' I think, too, that, like the author's sight, the work is often blurred.
I know exactly what that movie's [Brokeback mountain] about. I can't define it; it doesn't tie up in a perfect bow. But it's about adolescence. It's about what it feels like - this isn't meant as a criticism, but like things I didn't relate to, which were high school movies. Where I'd watch it and I'd be like, "Well, am I like the kid that nobody likes? Or am I like the person who everybody [likes]?" I couldn't [tell]. I was like quantifying, putting me in a box. "This is my personality at that age" and "I'm this kind of person" just felt like bullshit to me.
They gave high fives to all the players who say like the most obvious textbook answers in the world. It's like after each game, you already know what they're going to say. If they lost: "Ahh ... Tough loss." It's like, come on, how do you guys fall for that? And if they something that they really feel, everyone goes crazy. Like "Oohh! He's spazzing out!" Now he gotta say sorry for saying something he really felt. It's like, Oh lord.
I like the collarbone, a very clean collarbone. I think there's something also very delicate and balletic about that part of a woman's body, and I'm not really a cleavage person, but I do like a back or a shoulder; I think there's something very alluring about backless dresses.
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