A Quote by An Na

If I had to speak in front of a Korean audience, I would be hard pressed to sound other than a little girl. — © An Na
If I had to speak in front of a Korean audience, I would be hard pressed to sound other than a little girl.
I know I have patterns and I've always tried hard to avoid them. There are definitely certain things in my music, if I'm looking back, "Well, that was a period where I was experimenting with a certain kind of chord structure or a certain kind of sound." I've tried really hard, but I'd be hard pressed to tell you what that sound, what that tangible sound of "me" is.
In China, it was hard living as a young girl without my family. I had no idea what life was going to be like as a North Korean refugee. But I soon learned it's not only extremely difficult, it's also very dangerous, since North Korean refugees are considered in China as illegal migrants.
I was in sixth grade the first time I was required to speak in front of an audience. I had terrible stage fright and felt quite ill, in fact, by the time I had to give my little talk to students in another class across the hall.
A lot of people are very interested that a Korean director has made a western. But when I look at the reactions of the audience, I realise the points at which people laugh are the same for a Korean audience and an international audience.
I've just always been terrified of having to speak in front of people. When I used to go in school and then I had to do a report in front of the class and speak, I would freeze up, sometimes I would even like tear up almost and start crying and stuff... couldn't deal.
I was a mama's girl. So when I had to go to Korea without mom, I felt that I had to take care of myself now. I was 14, such a kid. I didn't speak any Korean. I only knew how to say 'hello,' so it really was a new start.
I was so afraid to even read a paper in front of my classmates. It is very funny because at that point my teachers would never have believed that I could speak in front of an audience of over 2,000 people.
We'd only speak Korean at home. They wouldn't let us have sleepovers and sent us away to Korean church camp during the summers. We had weird food concoctions, too, so instead of spaghetti bolognese, we had rice bolognese with kimchi.
I think I'd have done better if I had been a little more relaxed-if I had not pressed quite so hard, if I'd not lost quite so much sleep.
I had to think long and hard about what it would imply, what it would mean. Would it mean any alterations of one's lifestyle? Or, more than that, the way that people regarded you? The way they reacted to you if you had a Sir in front of your name?
But when you are doing an animated voice, it has to have more energy than usual or it falls flat and doesn't work. For myself, I found that I had to put myself in the same physical or emotional state as Sid, in order to make that voice sound alive and authentic. So if there was a scene in which he was running, I would be running beforehand to sound out of breath. That's important because the audience can tell intuitively if it does not sound real.
As a little girl, I didn't like stories about little girls. I liked stories about dragons and beasts and princes and princesses and fear and terror and the Four Musketeers and almost anything other than nice little girls making moral decisions about whether to tell the teacher about what the other little girl did or did not do.
There are two kinds of music. One comes from the strings of a guitar, the other from the strings of the heart. One sound comes from a chamber orchestra, the other from the beating of the heart's chamber. One comes from an instrument of graphite and wood, the other from an organ of flesh and blood. This loftier music I speak of tonight is more pleasing than the notes of the most gifted composers, more moving than a marching band, more harmonious than a thousand voices joined in hymn and more powerful than all the world's percussion instruments combined. That sweet sound of love.
If I'd had a magic ejector seat when I went to Zaire, which is now the Democratic Republic of Congo, I would have pressed it multiple times. I felt totally out of my depth. I had no money and there was precious little infrastructure so I had to barter to survive.
I would be hard-pressed to look back at anything that I have done in my career and not say, "I would have done that a little different" because hindsight is 20/20.
I met the girl who works at the Doubletree front desk, she gave me her number. It's ZERO. I tried to call from here, some other woman answered. "You sound older!"
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