A Quote by Ana Castillo

As time has gone on and we're at the end of the 20th century and major publishing is a big business, yes, of course we're going to get a lot of plain, mediocre trash. There are a lot of writers who get huge advances for books that don't go anywhere and they have to burn them somewhere or throw them away. I always think about all the poor trees that have been sacrificed.
Amazon is such a big player in publishing, but a lot of authors feel this connection to their publishing house and their editors who helped them get their books out there, so their loyalties tend to go that way.
Today, free agency takes away a lot of your heroes, they go somewhere else. Some of them don't but a lot of them do-take the higher offer to go somewhere else. And, it turns the fans off because they get attached to the players.
I start a lot more songs than I finish, because I realize when I get into them, they're no good. I don't throw them away, I just put them away, store them, get them out of sight.
I call 'em complaining machines. Things are never right with a guy to them. And man, when you throw that hysteria in there ... forget it. I gotta get out, get in the car, and go. Anywhere. Get a cup of coffee somewhere. Anywhere. Anything but another woman. I guess they're just built different, right?
It was always about the future of writers, and about the way writers are treated in the future, and I think that was really hurtful to a lot of people in my position who had 160 people who depended on them to get this over with. So there was a lot of pain in it, and in that sense it will never be worth it, but I do think it was important.
Well... I still can't see the light at the end of the tunnel. These politicians are such sleazebags that you just don't know. You can't really get anything from a lot of them once they get into power. They totally forget about all their commitments. The poor people elect them, and they forget about all the poor people.
I caution writers all the time to slow down and pay more attention to the work in front of them than to the end result. I don't think you write one book and get anywhere. I think you write five books and then maybe you are finally on the right path.
I make a lot of pots in a year's time and some of them are good and some of them are mediocre and some of them are bad. If they're really bad and I'd be ashamed of them, I throw them out, but if they're mediocre and they'll serve the purpose for which they're designed, that is, a mixing bowl or a soup bowl or a plate or whatever, I sell them. And this income from the sale of these pots permits me to go on and make other pots. It's even more important now that I've quit teaching, because I do not have a teacher's salary to fall back on.
The writers who have been serious about recreating American literature have always been far and few between. What we do have at the end of the 20th century that we didn't have at the beginning, at that time of the Lost Generation of rich white boys, is a mixture. We're now getting gay writers of color, let's say, and women of color being published. This is unprecedented.
One of the major hobbies in South Florida is keeping animals that no sane person would want to keep. One of those is snakes. They usually get them when they're small, and when they get too big, they let them go. But there are also people with monkeys, lions, tigers. And they all get away, eventually.
One of the freedoms you get if you earn a lot of money from a book is to throw away what you want. And if you throw a lot away, the good stuff always comes back; nothing is lost.
I've had the good fortune to read a lot of great American writers in translation, and my absolute beloved, for me one of the greatest writers ever, is Mark Twain. Yes, yes, yes. And Whitman, from whom the whole of 20th-century poetry sprung up. Whitman was the origin of things, someone with a completely different outlook. But I think that he's the father of the new wave in the world's poetry which to this very day is hitting the shore.
I've sacrificed a lot to get to the top, to the world title. I really sacrificed, and I took a lot of chances. I did a lot of favors, I felt like, for the UFC and I don't think it got returned.
I told [a big investor in The New Yorker] - I was complaining the way writers complain.I said`[Bill Shawn] pays very well, but a lot of my pieces don't get in,' and that was true of most of the writers there.But he pays you for them, that was very nice of him. This guy didn't think it was very nice. He figured, `Oh, my God, that's more of my investment gone,' and paying money to writers for not printing them. That became, apparently, one of his weapons against Shawn when he - in the corporate skirmishes that went on. It was a bad mistake on my part.
Sure, some employers are are afraid of letting older workers go because they think they're going to get sued. And they probably will get sued. But the reality is, you could get sued at any time by any kind of worker. I think its incumbent on an employer, if they want to be smart, to figure out what is the benefit of keeping this employee or letting them go. Do the calculation and just go ahead and either keep them or let them go based on what's good for the business.
I don't want to go to just watch big huge summer movies that everybody predicts is going to be the big huge summer movie and that are all the sort of blow-them-up movies or whatever you want to call them. I think there are a lot of other people out there, too, that want an alternative.
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