A Quote by Ana Castillo

I think the possibilities are endless in terms of what the genre would be like. However, in terms of looking for sources of money, I think we have to be very careful not to fall into Hollywood's commodification of Chicano culture. We could look at the example of Piri Thomas, a successful Puerto Rican writer now living in the Bay Area, who has received repeated offers from Hollywood...and he said he's not going to write about his people doing drugs and going to jail.
I believe, as a Puerto Rican, that the majority of Puerto Ricans want to be Puerto Ricans. Once we become annexed to the United States or by the United States, that we will lose our national identity. I can look at Hawaii as an example of people who lose, the Natives who lose their identity. I can look into the Native American reservations and see people who lose their national identity, their culture, their language, their land. And that's what's going to happen to Puerto Ricans here.
I think women have always been funny. But when Tina Fey became head writer at 'Saturday Night Live,' the culture shifted, and women gained a bigger voice in comedy. It's not as if Hollywood producers are feminists. It's more that Hollywood said, ''Bridesmaids' made us so much money, all we want now is funny women.'
I look back now and think, what was I doing, moving to Hollywood with $2,000 and a duffel bag? But there is no money in martial arts competitions, and in Hollywood, there is an outlet for those skills. And I have always been pretty fearless.
I consider myself a logical person and, you know, a lot of people try to categorize me in one way or another. You know, there are some of the things that I say that probably would be considered very much non-conservative. But I don't think really conservative or liberal; I think: What makes sense? What's going to help the American people? What's going to give them what they need? Not only in health care but in terms of jobs, in terms of education, in terms of a whole host of issues.
I'm not successful in Hollywood, and I probably would never be. I think Hollywood has such an interesting model for success, and it creates those successful people. I'm not in that chosen category, but what is successful for me is that, in spite of that, I've been able to work and do the things that I wrote down that I wanted to do and be.
We pay so much more for the same pill, prescription drugs than other countries. You go to Canada - people go to Canada to buy prescriptions. So we're subsidizing the world in terms of prescription drugs. It's ridiculous. And it's going to stop. The problem I have is these companies give so much - I mean the contributions are massive, just massive, the amount. But we do have - there are a lot of good people that are seeing what's going on. And I think we'll be successful in that. Next week, I'm going to declaring an emergency, national emergency on drugs.
I never thought in terms of a "breakthrough" film. I wasn't looking for fame or a career path into Hollywood. I was doing it for myself. I just wanted to make a film that I really loved. If other people liked it, great. But you can never guess what other people are going to like.
Are you going to be able to shave your legs? Are you going to be able to get married? So it was constantly thinking about both choice in terms of possibilities - I mean because choice is the thing that is supposed to enable you to be whatever it is you want to be - and yet, at the same time you have to think about choice in terms of its limitations.
I urge people not to think in terms of "solutions," but in terms of intelligent responses to the quandaries and predicaments that we face. And there are intelligent responses that we can bring forth. But when I hear the word "solution," I always suspect that there's a hidden agenda there. And the hidden agenda is: "Please, can you please tell us how we can keep on living exactly the way we're living now, without having to really change our behavior very much?" And that's sort of what's going on in this country. And it's not going to work.
This country's crazy in terms of fame and what people think it means. They expect a writer to be something between a Hollywood starlet and the village idiot.
Don't think in terms of comfort; think in terms of freedom. Don't think in terms of safety, think in terms of being more alive. And the only way to be more alive is to live dangerously, is to risk, is to go on an adventure. And the greatest adventure is not going to the moon - the greatest adventure is going to your own innermost core.
I don't think it's fair that you can say I'm not a Puerto Rican fighter because I wasn't born in Puerto Rico, when my blood is Puerto Rican.
The question now is does Obama have any hope of raising money? I don't think he'll raise it out of the New York people, I don't think he's going to raise it out the Hollywood people, so where's the money going to come from for Barack Obama?
Africa is a very special place, the people are very special there. There is a lot of love, and a lot warmth and a lot of light that is there. I think that if we aren't careful with places like Africa, in terms of the way that we set up our way of living, which now I think that most of the world operates on. If we don't focus on the steps towards creating a more peaceful structure right now, we could possibly wipe out full nations, cultures and species as as we have in the past.
It's a fact, the majority of films in Hollywood are from the male perspective. And the female characters, very rarely do they get to speak to another female character in a movie, and when they do it's usually about a guy, not anything else. So they're very male-centric, Hollywood films, in general. So I think it's incredible that Ned Benson, when I said I'd love to know where she goes, says okay, I'm going to write another film from the female perspective.
The problem in Hollywood is that they try to become the only kind of cinema in the world, okay? The imposition everywhere of a unique culture, which is Hollywood culture, and a unique way of life, which is the American way of life. But Hollywood has forgotten that, in the past, what made Hollywood great and what made it go ahead was the fact that Hollywood was fed with, for example, Jewish directors coming from Germany or Austria and enriching Hollywood. In 15, 20 years, Hollywood became imperialistic. Cinema goes ahead when it is marriaged by other culture. Otherwise, it turns on itself.
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