A Quote by Ana de Armas

The sets were incredible. You would walk in at 6 in the morning, and we were really living in 'Blade Runner.' — © Ana de Armas
The sets were incredible. You would walk in at 6 in the morning, and we were really living in 'Blade Runner.'
When I saw 'Blade Runner,' my understanding was that 'Blade Runner' and 'Alien' were sequels to each other - or they were related. They were set in the same world.
When 'Blade Runner' came out, and especially, even actually when 'Alien' came out, it kind of changed how all science fiction movies were designed after that. And that was a really great thing. Now we're watching a lot of movies that are Xeroxes of Xeroxes of Xeroxes of Xeroxes of 'Blade Runner.'
Blade Runner was the godfather of all these fantastic movies that occur today. What's frustrating is that we're short of really great writing and great ideas. Blade Runner was full of them.
I'm among the hardcore fans of 'Blade Runner.' 'Blade Runner' is one of my favorite movies of all time. It's a movie that is linked with my love and passion for cinema.
I was a huge fan of 'Blade Runner.' That was a pretty formative film for me growing up. It really got my sci-fi juices flowing, as it were.
When it was released in the 80s in Japan, 'Blade Runner' was actually a series that influenced the Japanese media very much so. I assume that everyone in the anime industry has seen Blade Runner at some point.
Honestly, I would never say, 'Oh, I've decided not to read 'The Left Hand of Darkness' because I've seen 'Blade Runner.' I've decided not to read 'Neuromancer' because I've seen 'Blade Runner.''
I wasn't a big science fiction aficionado, there were a few films like 2001 or Blade Runner that were favorites of mine, but since I started this series I have gained more respect for the genre and become more of a fan myself.
Blade Runner is a rare science fiction movie so full of material that pages can be written about it without scratching the surface. A review like this can provide little more than an overview. A detailed exploration of the movie, its style, and its mysteries requires dedication that only someone immersed in Blade Runner lore can provide.
My grandparents were wealthy; my mom was not. I would walk into these worlds of privilege and then walk back into this other world. My little brother is biracial. So race and economic class and sexuality - these were always issues that were a part of my life.
I was afraid to watch 'Blade Runner' in the theater because I was afraid the movie would be better than what I myself had been able to imagine. In a way, I was right to be afraid, because even the first few minutes were better.
The people who really resurrected 'Blade Runner' was 'MTV.'
The earthquake in Haiti was a class-based catastrophe. It didn't much harm the wealthy elite up in the hills, they were shaken but not destroyed. On the other hand the people who were living in the miserable urban slums, huge numbers of them, they were devastated. Maybe a couple hundred thousand were killed. How come they were living there? They were living there because of-it goes back to the French colonial system-but in the past century, they were living there because of US policies, consistent policies.
You know if we were to look back and how we were in 1955 living in Jim Crow, living in segregation, living in segregated schools, it's hard to believe that it was America, but it really was.
There were definitely songs in the past that were me dealing with living this gender dysphoria, and sometimes they were really direct and no one picked up on it - but oftentimes, they were more veiled in metaphor.
The visual team of 'Blade Runner' - one of the last big fantasy movies to be made without much computer graphics finery - worked directly for Scott, who sketched each of his prolific ideas on paper (they were called 'Ridley-grams').
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