A Quote by Ana Gasteyer

I'm so bad at spontaneous impressions. — © Ana Gasteyer
I'm so bad at spontaneous impressions.
We are all the subjects of impressions, and some of use seek to convey the impressions to others. In the art of communicating impressions lies the power of generalizing without losing that logical connection of parts to the whole which satisfies the mind.
I think what happened is that everybody's impressions got formed in those first few minutes. And I felt like, by the latter part of it, I kind of clawed my way back into the discussion. But everybody's impressions were set at the beginning. And wholly apart from me and whether I was good or bad, you know, there were a lot of hostile questions.
The great effort of civilization has been, and still is, the attempt to introduce a principle of control into that casual swarm of impressions which makes up men's thought and of which, especially with swayed by emotion, spontaneous action is the law.
I'm a very spontaneous person, for the bad and the good.
Make sure you're doing impressions of people that are still relevant, and that everyone knows. Red Skelton impressions are a little outdated.
Our first impressions are generated by our experiences and our environment, which means that we can change our first impressions... by changing the experiences that comprise those impressions.
I always think of comedy as being spontaneous, and yet everything about filmmaking is not spontaneous.
I try and manufacture recordings to sound spontaneous. Then, some things are spontaneous.
Dismiss thoughts of 'good, bad, right, wrong, success, failure' - be spontaneous.
I'm very wary with impressions - I don't think I'm very good at impressions, I hate doing them.
I'm very happy at CNBC. It's the passion, it's the movement - there's a lot of moving parts. And spontaneous TV and spontaneous debates... I don't know that there's anyone that enjoys their job more than I do.
The world is for thousands a freak show; the images flicker past and vanish; the impressions remain flat and unconnected in the soul. Thus they are easily led by the opinions of others, are content to let their impressions be shuffled and rearranged and evaluated differently.
One has only to contemplate the magnitude of this task to concede that the spontaneous generation of a living organism is impossible. Yet here we are-as a result, I believe, of spontaneous generation.
To George Gershwin, on refusinghim as a pupil: You would only lose the spontaneous quality of your melody, and end by writing bad Ravel.
As you all become more intimate with Me, with opportunities to come closer to Me, all that is good and bad within you comes out in sparks, as it were . . . all the impressions of the past, the accumulations of past sanskaras - of all illusory things, which includes both good and bad - come out. My proximity, the intimacy with Me, just changes that mass of sanskaras, and sometimes you find sparks of good and bad flying out.
Your grammar is a reflection of your image. Good or bad, you have made an impression. And like all impressions, you are in total control.
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