A Quote by Ana Gasteyer
Losing yourself in the character opens you up in a way that no amount of precise preparation can.
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Any character that you come up with or create is a piece of you. You're putting yourself into that character, but there's the guise of the character. So there's a certain amount of safety in the character, where you feel more safe being the character than you do being just you
I love to work this way - I love the time of preparation. If you feed yourself with all the information and you get to understand who the character is then you can really be her.
It's the same kind of preparation you do for something like this you do for anything. It doesn't matter if it's a drama or a comedy, the need to get the emotion and the character arc across is way harder in something like this so was more of a preparation.
There are more similarities than differences when it comes to preparation of a performance. You're using some lyrics, you have a relationship with them, they apply to different parts of your life and different circumstances, different memories, different stories you have in your head. You form personal relationships with the song. I think that's very similar, in a way, to prepping a character. You pour your own personality, in a sense, into the character, you sympathize with a character in a way that's similar to the way you might sympathize with a song.
The more time you spend on tour, around the top guys especially, you see what they do, the work, the preparation, the organization they have going into their training. It all leads up to playing great tennis. It really opens your eyes.
I believe ability can get you to the top,” says coach John Wooden, “but it takes character to keep you there.… It’s so easy to … begin thinking you can just ‘turn it on’ automatically, without proper preparation. It takes real character to keep working as hard or even harder once you’re there. When you read about an athlete or team that wins over and over and over, remind yourself, ‘More than ability, they have character.'
My preparation for roles are less about the character's profession than who they are, what their dreams are, and in what way are they childish.
The preparation for building a series of thrillers based on a single character is kind of like the preparation for becoming a parent: The best part is the idea - wink, wink.
The real preparation for education is a study of one's self. The training of the teacher...is something far more than a learning of ideas. It includes the training of character; it is a preparation of the spirit.
To do a musical takes a tremendous amount of energy because you have to act and sing at the same time. And everything has to be precise. Because you can't forget the lyrics because the band keeps playing, you know, and you're under a certain amount of pressure.
You have a certain objectivity, as a member of the audience, and you can come away maybe being provoked into a certain discourse or a certain arena of questioning, regarding how you would deal with things that your character has to deal with. Whereas when you're doing a film, once you start asking, "What would I do?," you're getting the distance greater between yourself and the character, or you're bringing the character to you, which I think is self-serving, in the wrong way. The idea is to bring yourself to the character.
It's really an organic sort of process. You start off with the character on the page. You fall in love with that character and you have to represent that character well and I think it's just an evolution there. Using the accent and speaking the lines with the accent in fact opens the door to who the character really is.
Character is power; it makes friends, draws patronage and support and opens the way to wealth, honor and happiness.
Exercising leadership is an expression of your aliveness... But when you cover yourself up, you risk losing something as well. In the struggle to save yourself, you can give up too many of those qualities that are the essence of being alive, like innocence, curiosity, and compassion.
It started off for me as just wanting to be an actor and sort of resenting in a weird way being expected to write as well as be a comedian and an improviser. And then you think about it for a minute, and I smartened up and realized that the only way to sustain a career is to generate your own material. Or to be in control of your career as best you can. And in allowing yourself to do that it opens up a whole new world of possibilities. And then you're like "Oh, producing is a thing."
It's all about knowing that everybody that you see, everybody that you sit across from is a different aspect of yourself. So once you can accept yourself on every level, that's when everything opens up, that's when the party really begins.
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