A Quote by Ana Kasparian

I've never relied on one job and usually have a few different gigs going. — © Ana Kasparian
I've never relied on one job and usually have a few different gigs going.
I'm going to Yoshi's. I'm taking a few gigs. I'm playing. I'm not going to play all the time. I'm going to take it easy and take it slow and warm up so I can come back.
Guitar gigs were everywhere in the '50s, and I started diddling around so I could keep working. Playing honky-tonk, simple stuff. I took a few gigs with an organ band that put me out front.
It was 2002, we all got guitars for Christmas and started playing in my garage that summer, rehearsed there and in a warehouse for a bit for about a year. We did our first gig in June 2003 and we played a few gigs in and around Sheffield for a bit then started doing gigs outside of Sheffield about this time last year, recording demos while all this was going on.
I love comedy and I did a few gigs here and there but it never really took off. It was too scary.
You can have a job and then it can be gone the next day. I've never become so emotionally attached to a job. So going back to Days' for a return, a revival of Eric in a different manner, was exciting for me.
All gigs are good gigs. There's never a bad one. Everything have a reason behind it; you just got to find that reason.
I worked with a guy, I can't think of his name, him and his wife, and one of them had a saxophone and the other played drums. It wasn't a regular job but I did a few gigs around home with them.
If I ever stop being grateful for gigs, I just need to stop. Because this business is... you know, it's just so kind of job-to-job, and the fact that I've continued working... I'm just incredibly thankful for it. And I never, ever take it for granted.
Look, if I ever stop being grateful for gigs, I just need to stop. Because this business is... you know, it's just so kind of job-to-job, and the fact that I've continued working... I'm just incredibly thankful for it. And I never, ever take it for granted.
Reporters have a different point of view and a different job. Consequently, to the extent that you can help them turn in an interesting story that their editor is going to like and that's going to further their careers, they're going to give you more ink and cover you.
Television from its inception had the number one goal to alienate as few people as possible. That's why if you look at 1950s, 1960s American sitcoms, the characters don't live any place in particular, religion is never discussed, politics is never discussed, you never really know what anyone's job is; nothing that could make these people seem different from you is ever discussed.
Every time I am on the field I am a threat to make a big play. I am going to do my job every day and can be relied upon.
But I think if you do have a job that has quite a few elements to it, then it does mean you get to flex different muscles and different parts of your brain, which I do like.
I joined a campus competition, as I felt I could do comedy, and I won. Then I started doing standup gigs in 2009 while completing my law degree, but I never told my parents. They only discovered a few years later.
I never expected I was going to travel the world playing gigs with my band and best friends. I have surpassed any dreams I had.
Being a part of a large family is just like a little society: those who fight to the top of the heap. We relied on each other and still do. They never discouraged me or told me to get a proper job.
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