A Quote by Ana Lily Amirpour
There's something to me with categorization - it stops you from thinking about the thing that is actually happening.
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Consumerism diverts us from thinking about women's rights, it stops us from thinking about Iraq, it stops us from thinking about what's going on in Africa - it stops us from thinking in general.
So if you're on the motorcycle, on the track you're not thinking at all about what's happening next week or tomorrow or anything. You're literally thinking about the turn you're setting up and there's something about that I find very cathartic and meditative.
Something like missing a shot, and the next play you're thinking about it, or you give up a play on defense and you're thinking about it, you're frustrated about it, what's happening is that you're really thinking about yourself. You're not connected to the team. And you have to be connected, or those few plays add up.
'Type one' error is thinking that something special is happening when nothing special really is happening. 'Type two' error is thinking that nothing special is happening, when in fact something rare or infrequent is happening.'
I don't think bands should feel compelled to speak out unless they actually have something to say. I think that's a big mistake, where you're turning into a coyote running off the edge of a cliff. Too often, people just feel like something is happening and they want to be part of this thing, and it's just, there's sort of a "me too!" and that's about it.
I'm really nervous, because it's actually happening. You forget after a while when you start talking about something that it's actually going to happen.
I never make a choice thinking about the results. I'm never gonna take a role or a project thinking where this could - what this could bring me or something like that, because you've got no control about anything, actually.
Taoism has no rules. It's a suggestion for preceiving life in its wholeness, without unnessary categorization, yet enjoying the beauty of categorization.
Are you as much of a criminal if you don't act when there's a crime taking place in front of you as you are one of the participants? That was something that I was thinking about a lot because there are many moments in 'Less Than Zero' where horrific things happen and Clay could do something about them, but his passivity stops him.
'Miss Jackson' is about something that actually happened to me when I was younger. I hadn't really talked about it, and I felt that if I didn't, I would keep thinking about it; it would drive me crazy.
When we started Nowhere, maybe the fashion industry recognized something was happening, but they just thought, Oh, those kids . . . whatever. They didn't know what was actually going on with us. Now we are those people in a sense - the current establishment. So I hope there's something happening that is new and independent that we know nothing about.
Your passion is that one thing you can't stop thinking about, that thing you wake up thinking about in the morning, go to sleep thinking about at night, that thing that you would do for free!
Directing is: you're overwhelmed the whole time. Your mind never stops. If you care about it. You wake up in the morning and you begin thinking about it and then you go to sleep at night and you're still thinking about it.
I love humor in writing, so I've written to the thing that's funny, there's the joke, but then I just kept going. I started thinking about all the bikes I've had stolen, and that got me thinking about crime, and that got me thinking about the city I'm in.
When I see someone who reads something of mine and draws something out of it that's very different from my perspective, I think that's actually cool. Sometimes it's worrisome when you feel they badly misinterpret it, but it just says that they're thinking, and they're bringing their own interpretation to bear on it. [...] That's part of the wonderful thing about putting words into the world, and if I was worried about that, I couldn't be a writer.
The thing is too that when you sell people a false reality and they take that to be the norm, when that false reality is light-years from what’s really happening, that in itself is a tremendous defense mechanism because when you start talking about what is actually happening, it is so different from what people perceive to be happening. They just can’t make that jump; it’s too insane for them.
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