A Quote by Ana Lily Amirpour
Works like 'Brave New World' and 'The Handmaiden's Tale' develop their atmosphere from a movement or a revolution, as if the world has ended and has come out to this other side. When I wrote 'The Bad Batch,' I thought that the world outside the gates that confine the 'bad' characters is simply our world today.
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Today America's on the wrong side of the world revolution. What I mean by that is, the world revolution is the people's revolution, the liberation movements in all the third world countries, which when everyone tries to get started the U.S. stops.
Our world does not exist from its own side--like a dream world, it is a mere appearance to our mind. In dreams we can see and touch our dream world, but when we wake up we realize that it is simply a projection of our mind and had no existence outside our mind. In the same way, the world we see when we are awake is simply a projection of our mind and has no existence outside our mind.
A new world is not made simply by trying to forget the old. A new world is made with a new spirit, with new values. Our world may have begun that way, but today it is caricature. Our world is a world of things. What we dread most, in the face of the impending debacle, is that we shall be obliged to give up our gewgaws, our gadgets, all the little comforts that have made us so uncomfortable. We are not peaceful souls; we are smug, timid, queasy and quaky.
Submitting to censorship is to enter the seductive world of 'The Giver': the world where there are no bad words and no bad deeds. But it is also the world where choice has been taken away and reality distorted. And that is the most dangerous world of all.
To the developing world, Cuba has been a symbol of sovereignty and resistance and a supporter of revolution - for good or bad. From the Missile Crisis to the anti-apartheid movement, from the Kennedys to Obama era, this small island has put itself at the center of world events.
The children of today are the builders of a brave, new world - a world without want.
The world is how we see the world. Some people see the world good, the other people see the world bad. Every person has an idea of the world with a subjective [viewpoint].
There is no life without guilt anyway, at least in the Western world. I think in other civilizations it might be different but if the world is getting Westernized all over, guilt will enter through the technology and democracy and their actions. It will come side by side so there won't be anymore innocent societies in the future I think which in fact is not such a bad thing.
Out of these troubled times, our fifth objective - a New World Order - can emerge. . . Now, we can see a New World Order coming into view. A world in which there is a very real prospect for a New World Order. . .A world where the United Nations, freed from a Cold War stalemate, is poised to fulfill the historic vision of its founders.
Journalists are in the same madly rocking boat as diplomats and statesmen. Like them, when the Cold War ended, they looked for a new world order and found a new world disorder. If making and conducting foreign policy in today's turbulent environment is difficult, so is practicing journalism.
I do not reject responsibility - our movement made mistakes, like every other movement in the world. But there was another aspect that was outside our control - the enemy's activities against us.
I don't try to take a person out of our world and put them into my world; that wouldn't work. It's sort of like bad Photoshop: If you see something Photoshopped together - and even if it's done pretty well - the eye catches on it. That happens a lot when people try to cut and paste people from our world into their fourteenth-century historical romance novel.
It's funny: when I set out to create the world of 'California,' I didn't give the type of apocalypse much thought... I simply set my two characters, Cal and Frida, in a depleted world and moved through it intuitively.
I think bad movies are made around the world, not just in Hollywood. There are as many bad art films in the whole world as there are bad commercial films.
... but the pendulum has swung way out of whack here. A bad idea is still bad, and the pivot happy world we're in today feels suboptimal.
When a captive lion steps out of his cage, he comes into a wider world than the lion who has known only the wilds. While he was in captivity, there were only two worlds for him - the world of the cage, and the world outside the cage. Now he is free. He roars. He attacks people. He eats them. Yet he is not satisfied, for there is no third world that is neither the world of the cage nor the world outside the cage.
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