A Quote by Anais Nin

Reality doesn’t impress me. I only believe in intoxication, in ecstasy, and when ordinary life shackles me. I escape, one way or another. No more walls. — © Anais Nin
Reality doesn’t impress me. I only believe in intoxication, in ecstasy, and when ordinary life shackles me. I escape, one way or another. No more walls.
I am an excitable person who only understands life lyrically, musically, in whom feelings are much stronger as reason. I am so thirsty for the marvelous that only the marvelous has power over me. Anything I can not transform into something marvelous, I let go. Reality doesn't impress me. I only believe in intoxication, in ecstasy, and when ordinary life shackles me, I escape, one way or another. No more walls.
Place me behind prison walls - walls of stone ever so high, ever so thick, reaching ever so far into the ground. There is a possibility that in some way or another I may be able to escape. But stand me on that floor and draw a chalk line around me and have me give my word of honor never to cross it. Can I get out of that circle? No. Never.
I have been asked what I mean by my word of honor. I will tell you. Place me behind prison walls - walls of stone ever so high, ever so thick, reaching ever so far into the ground - there is the possibility that in some way or another I may escape; but stand me on the floor and draw a chalk line around me and have me give my word of honor never to cross it. Can I get out of the circle? No. Never! I'd die first!
There is such a thing as everyday, ordinary, vulgar ecstasy; the ecstasy of anger, the ecstasy of speed at the wheel, the ecstasy of ear-splitting noise, ecstasy in the soccer stadium.
Everything happens as though I were only one of the particular existences of some great incomprehensible and central being.... Sometimes this great totality of life appears to me so dramatically beautiful that it plunges me into ecstasy. But more often it seems like a monstrous beast that penetrates and surpasses me and which is everywhere, within me and outside me.... And terror grips and envelops me more powerfully from moment to moment.... My only way out is to write, to make others aware of it, so as not to have to feel all of it alone, to get rid of however small a portion of it.
Sometimes it seems to me that God 's way of dealing with me is not to let me see much of my friends, those who are most to me in the spiritual life, lest I should forget that the invisible bond is the only reality. That is the only way I can reconcile myself to the inevitable separations of life and death.
I'm not impressed by people's degrees. Harvard doesn't impress me, Yale doesn't impress me, Columbia doesn't impress me.
I think one of the things that attracted me about theater and the stage was the ability to escape reality. And that is what I do in my work as a writer, but in a different way. And the freedom to put your own existence on ice and become another person.
I tend to find the ecstasy hidden in ordinary joys, because I did not expect those joys to be ordinary to me.
I think a lot of times people who jump from one movie to another don't enjoy their private life. It's a great way to escape reality. But I enjoy my life.
The moment of writing is not an escape...it is only an insistence, through the imagination, upon human ecstasy, and a reminder that such ecstasy remains as much a birthright in this world as misery remains a condition of it.
In general, when you travel, you get into a different reality and are able to more accurately reflect on your ordinary life. Hiking does that for me.
Youth is an intoxication without wine, someone says. Life is an intoxication. The only sober man is the melancholiac, who, disenchanted, looks at life, sees it as it really is, and cuts his throat. If this be so, I want to be very drunk. The great thing is to live, to clutch at our existence and race away with it in some great and enthralling pursuit. Above all, I must beware of all ultimate questions- they are too maddeningly unanswerable- let me eschew philosophy and burn Omar.
One's family is the most important thing in life. I look at it this way: One of these days I'll be over in a hospital somewhere with four walls around me. And the only people who'll be with me will be my family.
The word reality scared me. I just looked at reality as everybody follows me around with a camera, and I'm not that kind of person. I fought for my privacy in England. And I didn't see another way it could be done.
Digital technology, you see, is not the villain here. It simply offers another dimension. I'm not sure if it's a farther remove from reality than analogue. I think if we can speak of reality, if reality and representation can be spoken of in the same sentence, if reality even exists any more, digital is simply another way of encoding that reality.
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