A Quote by Anais Nin

I want to love you wildly. I don’t want words, but inarticulate cries, meaningless, from the bottom of my most primitive being, that flow from my belly like honey. A piercing joy, that leaves me empty, conquered, silenced.
Classical singing - everything had to be homogenous, and it had to just feel like one continuous flow from top to bottom, bottom to top. And in jazz, I felt like, oh, well, I can sing these deep, husky lows if I want and then sing these really, like, tiny, laser highs if I want, as well. And I have - I have no obligation to make it sound like it's just one continuous flow.
Nakata's empty inside... Do you know what it means to be completely empty? Being empty is like a vacant house. An unlocked, vacant house. Anybody can come in, anytime they want. That's what scares me the most
A wasteland is a confrontation to a man of stature: an empty place, a gauntlet thrown down in challenge and defiance. A place like that cries out to be conquered and civilised.
I like joy; I want to be joyous; I want to have fun on the set; I want to wear beautiful clothes and look pretty. I want to smile, and I want to make people laugh. And that's all I want. I like it. I like being happy. I want to make others happy.
I like joy; I want to be joyous; I want to have fun on the set; I want to wear beautiful clothes and look pretty. I want to smile and I want to make people laugh. And that's all I want. I like it. I like being happy. I want to make others happy.
Desperate? So what? I'm desperate, too!" Fenoglio snapped at her. "My story is foundering in misfortune, and these hands here," he said holding them out to her, "don't want to write anymore! I'm afraid of words Meggie! 'Once they were like honey, now they're poison, pure poison! But what is a writer who doesn't love words anymore? What have I come to? This story is devouring me, crushing me, and I'm it's creator!
I want that love that moved the mountains. I want that love that split the ocean. I want that love that made the winds tremble. I want that love that roared like thunder. I want that love that will raise the dead. I want that love that lifts us to ecstasy. I want that love that is the silence of eternity.
The celebrations Of secret nonmeetings are empty, Unspoken conversations, Unuttered words. Glances that don't intersect Don't know where to come to rest. And only the tears rejoice Because they can flow and flow. Sweetbrier around Moscow, Alas! Somehow it is here ... And all this they will call Love eternal.
My wife loves written words ... you know, words that stick to parchment and paper like dead flies, and it seems my father felt the same - but I want to hear words! Remember that when you are looking for the right words: You must ask yourself what they SOUND like! Glowing with passion, dark with sorrow, sweet with love, that's what I want. - Cosimo
It's not enough to just mildly want what you want. You must wildly want what you want. Nobody ever got their greatest wishes by being wishy-washy. You need to put extreme energy into your power of intention to win what you wanna win.
Love makes you empty - empty of jealousy, empty of power trips, empty of anger, empty of competitiveness, empty of your ego and all its garbage. But love also makes you full of things which are unknown to you right now; it makes you full of fragrance, full of light, full of joy.
Headhunters is a popcorn flick - you can laugh and shout and do whatever you want having great fun. But at the bottom of it all there's this theme of being honest to the people you love. I want to be that. And if Headhunters is one of the movies that help me realise that, then that's perfect.
I want you to understand the words. I want you taste the words. I want you to love the words. Because the words are important. But they're only words. You leave them on the paper and you take the thoughts and put them into your mind and then you as an actor recreate them, as if the thoughts had suddenly occurred to you.
just as violence is the last refuge of the inarticulate, so it is also the first resort of the incompetent, the easy out for the man who is capable of expressing himself only in the most primitive and vulgar of dramatic terms. He leaves us with only the obscenity of violence per se - and the pornographer thereof will always be with us, in film as in any other medium. And so will his audience.
No one would want to pay a penny for an empty canvas by me. But it would be quite another if the empty canvas were signed by a great artist. I would be surprised if an empty canvas by Picasso or Matisse signed and inscribed with the words, 'I wanted to paint such and such on this canvas, but did not do so,' would not fetch thousands... After all, with an empty canvas, the possibilities are limitless, and so perhaps is the cash.
There has to be some mystery in life, because the joy of being a writer and the joy of being a musician is the joy of discovery. I don't want someone discovering for me what I should be discovering on my own. If a person is discovering for me, then they're living for me. It's my responsibility, indeed it's my privilege, to go out and discover the world for myself.
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