A Quote by Anais Nin

Life is so fluid that one can only hope to capture the living moment, to capture it alive and fresh ... without destroying that moment. — © Anais Nin
Life is so fluid that one can only hope to capture the living moment, to capture it alive and fresh ... without destroying that moment.
I think being attracted to mistakes is one of the things that film can capture in a way that theater can't. Film can capture a moment of spontaneous life that will never be captured again.
For photography is a way to capture the moment - not just any moment, but the important one, this one moment out of all time when your subject is revealed to the fullest - that moment of perfection which comes once and is not repeated.
I honestly think the impulse is to grab something and capture it, and not capture a moment that you want to remember, but just capture an image that you want other people to see right away. It's about how someone is going to "like" this and it's no longer an experience. It's just this constant sharing of images. I personally don't like that very much.
The preoccupation of the novelist: how to capture the living moments, was answered by the diary. You write while you are alive. You do not preserve them in alcohol until the moment you are ready to write about them.
I think being attracted to mistakes is one of the things that film can capture in a way that theater can't. Film can capture a moment of spontaneous life that will never be captured again. I like a lot of structure and a lot of lines, but then within that I make room for things to happen that you couldn't have predicted.
You can repeat things because it's on a set and there are actors. But if it's a great moment and you don't capture it, it's rare to get that moment again.
One moment of magic, or one big moment to capture the match.
If I'm in the stands at a U2 concert watching Bono, how can I capture this moment without interrupting it and making it fake?
People are so wonderful that a photographer has only to wait for that breathless moment to capture what he wants on film.
I've never liked the moment of seeing something beautiful - a sunset, a moose, an elephant - and then raising a camera and trying to capture it for some future moment. That's always struck me as strange.
I love to just listen and watch. I could happily watch a security camera at a store. Often during a day I'll see a guy selling pretzels or an argument that somebody's having on a stoop and I'll think, "Oh I wish I had my camera, I wish I could capture this moment." There's something about people being people and interacting that can be so beautiful when it's framed by a camera. That desire to capture people as they are, and the stubbornness to keep going when they don't necessarily want you to capture them being who they are, are key.
I'm trying to capture a moment. It's not about the singer at the microphone. I'm trying to look for, like, a moment in between.
I think my entire songwriting catalog reflects where I was in my life at the time. I capture whatever moment I am experiencing in life.
My main objective with every album is to capture a moment in time, which usually makes the whole process very relaxing. I only discover in retrospect when looking back at the songs how my life is going!
We can smile, breathe, walk, and eat our meals in a way that allows us to be in touch with the abundance of happiness that is available. We are very good at preparing to live, but not very good at living. We know how to sacrifice ten years for a diploma, and we are willing to work very hard to get a job, a car, a house, and so on. But we have difficulty remembering that we are alive in the present moment, the only moment there is for us to be alive. Every breath we take, every step we make, can be filled with peace, joy, and serenity. We need only to be awake, alive in the present moment.
Motion-capture is not a genre. Motion-capture is a tool and technique and what we tried to do was to really use both motion-capture and traditional animation to build a system.
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