A Quote by Anais Nin

Expressing feelings is linked directly with creation... In this ability to tap the sources of feeling and imagination lies the secret of abundance. — © Anais Nin
Expressing feelings is linked directly with creation... In this ability to tap the sources of feeling and imagination lies the secret of abundance.
Anger is a symptom, a way of cloaking and expressing feelings too awful to experience directly - hurt, bitterness, grief and, most of all, fear.
In the wave lies the secret of creation.
I feel like my imagination was crafted by Tolkien. He seemed to tap into that childhood intrigue of secret doors and hidden worlds.
I was drawn to people that were expressing feeling because that was what was taboo in my family, expressing feeling. And that was what I was made of.
We are convinced of the huge potential that still lies ahead and particularly in The Economist's ability to seize the many development opportunities linked to the digitisation of the media industry.
Developing countries have much to gain from capital mobility: the ability to tap external sources of finance, greater financial efficiency from deeper stock and bond markets, and technology transfer and know-how from foreign direct investment.
As long as we remain vigilant at building our internal abundance—an abundance of integrity, an abundance of forgiveness, an abundance of service, an abundance of love—then external lack is bound to be temporary.
Tap into people's emotions. We've all been put to sleep by a speaker who just gives the facts. You must tap into people's feelings.
In fact, if you read what Kant has to say about feeling, desire and emotion, you see that he is not at all hostile to these. He is suspicious of them insofar as they represent the corruption of social life (here he follows Rousseau), but he also thinks a variety of feelings (including respect and love of humanity) arise directly from reason - there is, in other words, no daylight between the heart and the head regarding such feelings.
I think what music can offer is the feeling of forward motion, also the feeling of accumulation of information, of sensations, of feelings, like we're going somewhere. When I say 'feel like,' I don't mean to suggest that it's not real, but that it's the work of the imagination, which is what narrative is.
Tap into what you don't want to say. Tap into that secret place, despite the agony, despite the personal pain, over and above the fatigue.
Even though fixed in time, a photograph evokes as much feeling as that which comes from music or dance. Whatever the mode - from the snapshot to the decisive moment to multi-media montage - the intent and purpose of photography is to render in visual terms feelings and experiences that often elude the ability of words to describe. In any case, the eyes have it, and the imagination will always soar farther than was expected.
I don't write thinking directly about what I'm feeling, usually. I just let myself write whatever comes out without it necessarily being directly a translation of what I'm aware that I'm feeling, you know?
There are, I think, four distinct types of weird story: one expressing a mood or feeling, another expressing a pictorial conception, a third expressing a general situation, condition, legend or intellectual conception, and a fourth explaining a definite tableau or specific dramatic situation or climax.
When we experience a film, we consciously prime ourselves for illusion. Putting aside will and intellect, we make way for it in our imagination. The sequence of pictures plays directly on our feelings.
The essence of this law is that you must think abundance; see abundance, feel abundance, believe abundance. Let no thought of limitation enter your mind.
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