A Quote by Anais Nin
Creation which cannot express itself becomes madness.
Related Quotes
To live is to express, and to express you have to create. Creation is never merely repetition. To live is to express oneself freely in creation.
I call to mind flatness and dampness; and then all is madness - the madness of a memory which busies itself among forbidden things.
I think the big danger of madness is not madness itself, but the habit of madness. What I discovered during the time I spent in the asylum is that I could choose madness and spend my whole life without working, doing nothing, pretending to be mad. It was a very strong temptation.
That which you cannot express is Love.
That which you cannot reject/renounce is Beauty.
That which you cannot avoid is the Truth.
There is no creation without faith and hope. There is no faith and hope that does not express itself in creation.
The Creation speaks a universal language, independent of human speech or human language, multiplied and various as they be. It is an ever-existing original, which every man can read. It cannot be forged; it cannot be counterfeited; it cannot be lost; it cannot be altered; it cannot be suppressed. It does not depend upon the will of man whether it shall be published or not; it publishes itself from one end of the earth to the other. It preaches to all nations and to all worlds; and this Word of God reveals to man all that is necessary for man to know of God.
This is the process of Self realization about which Eastern mystics have written. It is the process of salvation to which much Western theology has devoted itself. This is a day-to-day, hour-to-hour, moment-to-moment act of supreme consciousness. It is a choosing and a re-choosing every instant. It is ongoing creation. Conscious creation. Creation with a purpose. It is using the tools of creation we have discussed, and using them with awareness and sublime intention.
Now, which am I to believe, a book that any impostor might make and call the Word of God, or the creation itself which none but an Almighty Power could make? For the Bible says one thing; and the creation says the contrary. The Bible represents God with all the passions of a mortal, and the creation proclaims him with all the attributes of a God.
When life itself seems lunatic, who knows where madness lies? Perhaps to be too practical may be madness. To surrender dreams, this may be madness ...Maddest of all is to see life as it is and not as it should be.
Music is the basis of the whole creation. In reality the whole of creation is music, and what we call music is simply a miniature of the original music, which is creation itself, expressed in tone and rhythm.
Whatever there is of God and goodness in the universe, it must work itself out and express itself through us. We cannot stand aside and let God do it.
I am madness maddened! That wild madness that's only calm to comprehend itself
We maintain, and have said in the Ethics, if the arguments there adduced are of any value, that happiness is the realization and perfect exercise of virtue, and this not conditional, but absolute. And I used the term 'conditional' to express that which is indispensable, and 'absolute' to express that which is good in itself.
The heart-throb for the welfare of humanity therefore passes into the ravings of an insane self-conceit, into the fury of consciousness to preserve itself from destruction; and it does this by expelling from itself the perversion which it is itself, and by striving to look on it and express it as something else.
The charity that begins at home cannot rest there but draws one inexorably over the threshold and off the porch and down the street and so out and out and out and out into the world which becomes the home wherein charity begins until it becomes possible, in theory at least, to love the whole of creation with the same patience, affection, and amusement one first practiced, in between the pouts and tantrums, with parents, siblings, spouse, and children.
In the Renaissance, madness was present everywhere and mingled with every experience by its images or its dangers. During the classical period, madness was shown, but on the other side of bars; if present, it was at a distance, under the eyes of a reason that no longer felt any relation to it and that would not compromise itself by too close a resemblance. Madness had become a thing to look at: no longer a monster inside oneself, but an animal with strange mechanisms, a bestiality from which man had long since been suppressed.
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