A Quote by Anais Nin

Writers do not live one life, they live two. There is the living and then there is the writing. There is the second tasting, the delayed reaction. — © Anais Nin
Writers do not live one life, they live two. There is the living and then there is the writing. There is the second tasting, the delayed reaction.
Everybody has their own approach to songwriting. When you're an electronic musician, the whole writing process just depends. Some people have a very live way of writing electronic music, very improvisational. They set up a lot of gear and do live takes. I'm concerned with having a specific kind of sound. There's not one second that I haven't put thought into. I put almost as much time into my live shows as I do into writing music, but they're two completely different processes. Some people think the way I perform live is how I write songs, which isn't true at all.
I am through generalizing about ideas apart from men who generate them. I am through writing books about the dead, or writing books about the living to the unborn (tucked away as Literature) or writing books about the unborn to the living (whiffed away as prophecy). I put up my life on advertising the living to the living, on making men of genius known to the people and interpreted to their time, that the time in which I live, may live face to face with its men of vision and that they may live face to face with one another.
Go on a living spree. While you're here, why not live it up? Make your list, then go be, do, and have everything you want. Live life to the fullest. Live a life of no regrets. Strive toward your potential. NO restrictions apply. This offer is good for a limited time only. Don't miss this opportunity. Go on a living spree!
I don't understand people who just live to exist, live to be OK. Live to be regular, live to be average. It doesn't make any sense to me. I live to be the best. I don't live to be good. You only get one life, and I live to be great. I live to be special.
This is why we shouldn't be afraid. There are two possibilities: One is that there's more to life than the physical life, that our souls "will find an even higher place to dwell" when this life is over. If that's true, there's no reason to fear failure or death. The other possibility is that this life is all there is. And if that's true, then we have to really live it - we have to take it for everything it has and "die enormous" instead of "living dormant," as I said way back on "Can I Live." Either way, fear is a waste of time.
As writers we live life twice, like a cow that eats its food once and then regurgitates it to chew and digest it again. We have a second chance at biting into our experience and examining it. ...This is our life and it's not going to last forever. There isn't time to talk about someday writing that short story or poem or novel. Slow down now, touch what is around you, and out of care and compassion for each moment and detail, put pen to paper and begin to write.
After all everybody, that is, everybody who writes is interested in living inside themselves in order to tell what is inside themselves. That is why writers have to have two countries, the one where they belong and the one in which they live really. The second one is romantic, is is separate from themselves, it is not real but it is really there.
There simply aren't any grand moments in life, and we surely don't live in those moments. No, we live in the utterly mundane. We exist in the bathrooms, bedrooms, living rooms, and hallways of life. This is where the character of our life is set. This is where we live the life of faith.
I live my life based on 2 principles. One, I live as if today was my last day on earth. Two, I live today as if I am going to live forever.
I'd, you know, I'd believed in God my whole life. And then started thinking about it. I was like, 'Am I living like - this stuff I'm reading - am living like we are called to live; to put Christ first, and to live for Christ? Maybe I'm not living like I'm supposed to.'
You're not living until it doesn't matter a tinker's damn to you whether you live or die. At that point you live. When you're ready to lose your life, you live it.
My life can be so arranged that I can live on whatever I have. If I cannot live as I have lived in the past, I shall live differently, and living differently does not mean living with less attention to the things that make life gracious and pleasant or with less enjoyment of things of the mind.
All writers - all beings - are exiles as a matter of course. The certainty about living is that it is a succession of expulsions of whatever carries the life force...All writers are exiles wherever they live and their work is a lifelong journey towards the lost land.
You and I are standing this very second at the meeting place of two eternities: the vast past that has endured forever, and the future that is plunging on to the last syllable of recorded time. We can't possible live in either of those eternities - no, not even for a split second. But, by trying to do so, we can wreck both our bodies and our minds. So let's be content to live the only time we can possible live: from now until bedtime.
If you want to live in Tennessee, God bless you, I wish for you a long life and starry evenings. But that is not where I want to live my life. I want to live my life in Carthage, in Athens. I want to live my life in Rome. I want to live my life in the center of the world. I want to live my life in Los Angeles.
Life is so precious, such a gift, you have to live for you. Live your own truth, live the life that God has put you and nobody else on this Earth to live and not what somebody might be telling you to live.
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