A Quote by Anais Nin
When I don't write, I feel my world shrinking. I feel I am in a prison. I feel I lose my fire and my color. It should be a necessity, as the sea needs to heave, and I call it breathing.
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We also write to heighten our own awareness of life... We write to taste life twice, in the moment, and in retrospection... We write to be able to transcend our life, to reach beyond it...to teach ourselves to speak with others, to record the journey into the labyrinth. We write to expand our world when we feel strangled, or constricted, or lonely... When I don't write, I feel my world shrinking... I feel I lose my fire and my color.
When I don't write, I feel my world shrink. I lose my fire, my color.
If I feel something, it's how I feel. I never say, 'I feel this way, so you should feel that way.' Not that there's anything wrong with it, but I just am who I am. But, yeah. I think you would call me a feminist.
I've never known a writer who didn't feel ill at ease in the world. We all feel unhoused in some sense. That's part of why we write. We feel we don't fit in, that this world is not our world, that though we may move in it, we're not of it. You don't need to write a novel if you feel at home in the world.
How can you be afraid to feel? Isn't fear a feeling? If you're feeling fear, you've felt one of the most negative emotions there is to feel. Everything else should be a piece of cake. Feel good, feel happy, feel healthy, feel loved, feel abundant, feel creative, feel compassionate, feel knowledgeable, feel powerful.
Breathing is important in the practice of meditation because it is the faculty in us that is simultaneously voluntary and involuntary. You can feel that you are breathing, and equally you can feel that it is breathing you. So it is a sort of bridge between the voluntary world and the involuntary world — a place where they are one.
I have an unexplainable belief that I will never cause harm or be harmed while at sea. Because of this, I feel secure at sea: I feel secure in the ice, I feel secure in the storms, and I feel secure in confrontations.
Lay off with the 'You reason, so you don't feel' stuff, please. I feel, but I also think about what I feel. When people say we should only feel I am reminded of Göring, who said 'I think with my blood.' See where it led him.
I am not interested in simply working as a director. If I am not making movies that I want to make, that I feel passionate about, or that I feel are hopefully at the level of cinematic quality that I feel they should be then I am not really that interested.
I am a woman with a foot in both worlds; and I refuse the split. I feel the necessity for dialogue. Sometimes I feel it urgently.
I feel as if my mission is to write, to see, to observe, and I feel lazy if I'm not reaching conclusions. I feel stupid. I feel as if I'm wasting my time.
I feel empathy for people who are trapped in a prison of self-consciousness in an uncomfortable way. We can be free, but we're so held back. So perhaps that's why I feel a duty to make my work. I feel liberated when I'm doing it, and I want other people to feel liberated through it.
When you feel sad, it's okay. It's not the end of the world. Everyone has those days when you doubt yourself, and when you feel like everything you do sucks, but then there's those days when you feel like Superman. It's just the balance of the world. I just write to feel better.
I am incapable of telling you not to feel. Feel, feel, I say - feel for all you're worth, and even if it half kills you, for that is the only way to live.
When you're on this major English estate, breathing in the English air, and it's untouched, you can feel its presence. It's a whole different feel. It really felt like we were there living it. It didn't feel modern, ever.
I've always felt like I was an actor for hire. And almost apologetic for being a woman of color, trying to stifle that voice. But I don't feel that way in Shondaland. I feel like I am accepted into a world where I'm a part of the narrative - I'm a part of it.
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