A Quote by Anais Nin

All the art of analysis consists in saying a truth only when the other person is ready for it, has been prepared for it by an organic process of gradation and evolution. — © Anais Nin
All the art of analysis consists in saying a truth only when the other person is ready for it, has been prepared for it by an organic process of gradation and evolution.
We may... have to relinquish the notion, explicit or implicit, that changes of paradigm carry scientists and those who learn from them closer and closer to the truth... The developmental process described in this essay has been a process of evolution from primitive beginnings-a process whose successive stages are characterized by an increasingly detailed and refined understanding of nature. But nothing that has been or will be said makes it a process of evolution toward anything.
In the final analysis the hierarchic pattern is nothing like the straightforward witness for organic evolution that is commonly assumed. There are facets of the hierarchy which do not flow naturally from any sort of random undirected evolutionary process. If the hierarchy suggests any model of nature it is typology and not evolution. How much easier it would be to argue the case for evolution if all nature's divisions were blurred and indistinct, if the systema naturalae was largely made up of overlapping classes indicative of sequence and continuity.
I have been told by persons of experience in matters of taste, that the fashions follow a law of gradation, and are never arbitrary. The new mode is always only a step onward in the same direction as the last mode; and a cultivated eye is prepared for and predicts the new fashion.
Personal evolution has nothing to do with art, it's never. Art is a sine curve: dark and light change permanently, in cumulative radicalism. Art decides what to do. The choice of colors is made by the colors themselves. The evolution of art is the evolution of the future itself.
Every president learns on the job because nobody`s really prepared for the kind of decisions that cross your desk every day. No one`s prepared for that. No vice president who has scended to the presidency has ever truly been ready for that. Certainly, no vice president who`s assumed the presidency in extremis, like Harry Truman, has been ready for that. But this Trump guy doesn`t seem to be ready for a career in government.
I have been struggling with mental illness and emptiness throughout my life. Now I want people to understand my glorious quest for the truth. Working on paintings is a process toward my artistic creation. It is a new spiritual theme of my whole philosophy for pursuing the truth. Each painting represents a process in all of my art.
It is in this power of saying everything, and yet saying nothing too plainly, that the perfection of art consists.
All change is change for the better. There is no such thing as "change for the worse." Change is the process of Life Itself, and that process could be called by the name 'evolution.' And evolution moves in only one direction: forward, and toward improvement.
The beauty of compounding iterative algorithms - evolution, fractals, organic growth, art - derives from their irreducibility.
The process of philosophizing, to my mind, consists mainly in passing from those obvious, vague, ambiguous things, that we feel quite sure of, to something precise, clear, definite, which by reflection and analysis we find is involved in the vague thing that we start from, and is, so to speak, the real truth of which that vague thing is a sort of shadow.
The History of Evolution is the real source of light in the investigation of organic bodies. It is applicable at every step, and all our ideas of the correlation of organic bodies will be swayed by our knowledge of the history of evolution. To carry the proof of it into all branches of research would be an almost endless task. (1828)
I asked a director once what the secret of it all was, and he said you have to be so prepared that you are willing to throw all your preparation away in the moment when you see something better. That's a phenomenal piece of advice. It's been my compass through the process of making films. But you can really only do that if you're prepared. You can't wing it.
Co-operating critics comb the studios like big-league scouts, prepared to spot the art of the future and to take lead in establishing reputations. Art historians stand by ready with cameras and notebooks to make sure every novel detail is safe for the record. The tradition of the new has reduced all other traditions to triviality.
There will always be One against All, one person against all others. [This is so] not because One is terribly wise and All are terribly foolish, but because the process of thinking and researching, which finally yields truth, can only be accomplished by an individual person. In its singularity or duality, one human being seeks and finds – not the truth (Lessing) –, but some truth.
Everyone should know nowadays the unimportance of the photographic in art: that truth, life, or reality is an organic thing which the poetic imagination can represent or suggest, in essence, only through transformation, through changing into other forms than those which were merely present in appearance.
To tell you the truth, I am rather perplexed by the concept of 'art'. What one person considers to be 'art' is often not 'art' to another. 'Beautiful' and 'ugly' are old-fashioned concepts that are seldom applied these days; perhaps justifiably, who knows? Something repulsive, which gives you a moral hangover, and hurts your ears or eyes, may well be art. Only 'kitsch' is not art - we're all agreed about that. Indeed, but what is 'kitsch'? If only I knew!
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