A Quote by Anais Nin

I gathered poets around me and we all wrote beautiful erotica. As we were condemned to focus only on sensuality, we had violent explosions of poetry. Writing erotica became a road to sainthood rather than to debauchery.
What is classical music if not the epitome of sensuality, passion, and understated erotica that popular music, even with all of its energy and life, cannot even begin to touch?
I'm writing a new book right now that is like an erotica manifesto.
I remember all the writers I started with who I was embarrassed to be around - they were so much better than me. A lot of them are no longer writing. I guess they were better rounded and had other options. Due to social discomfort, I only had the one road.
Concrete poets continue to turn out beautiful things, but to me they're more visual than oral, and they almost really belong on the wall rather than in a book. I haven't the least idea of where poetry is going.
Since the point of erotica is to offer the consumer sexual experiences without having to compromise with the demands of the other sex, it is a window into each sex's unalloyed desires. Pornography for men is visual, anatomical, impulsive, floridly promiscuous and devoid of context and character. Erotica for women is far more likely to be verbal, psychological, reflective, serially monogamous and rich in context and character. Men fantasise about copulating with bodies; women fantasise about making love to people.
You have to give your art everything you can - I don't mean only writing, but studying other poets and poetics, thinking, reading what poets have written other than their poetry.
The sensuality of desperate lives. Only poets talk like that. But poetry has never had an answer for anything. All it does it bear witness. To despair. And desperate lives.
The difference between pornography and erotica is lighting.
The Language Poets are writing only about language itself. The Ashbery poets are writing only about poetry itself. That seems to me a kind of dead end.
'Dead Poets Society' was a very influential film on me and so talking about that movie with him, he just inspired me to continue writing poetry and we talked a lot about our favourite poets. My wrap present from Robin was a beautiful limited edition copy of Walt Whitman's 'Leaves of Grass' and that's a great memory for me.
This is going to sound nuts but it took me forever to figure out why I'd stopped writing poetry - I mean, I went about a decade where I wrote very little poetry and I thought it was because I was doing a weekly blog. And then when we moved, I reconfigured my writing desk. The previous one had had very little space to write by hand. And suddenly, the poetry was gushing!
Sex acts don't drive erotica, the people who engage in them do.
Sleep is an eight-hour peep show of infantile erotica.
I got rid of all my Colin Firth movies in case they consider it erotica.
[Erotica] contains the idea of love, positive choice, and the yearning for a particular person.
I think the erotic is very spiritual, and I never see that spiritual dimension when you look at collections of erotica. That's always missing for me.
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