A Quote by Anais Nin

They courted the face on the screen, the face of translucence, the face of wax on which men found it possible to imprint the image of their fantasy. — © Anais Nin
They courted the face on the screen, the face of translucence, the face of wax on which men found it possible to imprint the image of their fantasy.
So I suppose I do not know how he really looked, and, in fact, I suppose I shall never know, now, for he was plainly an object created in the mode of fantasy. His image was already present somewhere in my head and I was seeking to discover it in actuality, looking at every face I met in case it was the right face - that is, the face which corresponded to my notion of the unseen face of the one I should love, a face created parthenogeneticallyby the rage to love which consumed me.
I'm removed in my real life, and unable to express certain things face to face. So I have always found myself in this fantasy world. That's why I started writing songs and stories from a very young age. I'd much rather walk around anonymously cooking up tales than face the people that I have known forever.
In the water I saw my father's face, and that face saw the face of its father, and so on, and so on, reflecting backward to the beginning of time, to the face of God, in whose image we were created.
I hear poets complaining: 'We face what our forebears did not face. We face TV. We face radio. We face this and that.'
Now and then one sees a face which has kept its smile pure and undefiled. It is a woman's face usually; often a face which has trace of great sorrow all over it, till the smile breaks. Such a smile transfigures: such a smile, if the artful but knew it, is the greatest weapon a face can have.
Contemplation is a very dangerous activity. It not only brings us face to face with God. It brings us, as well, face to face with the world, face to face with the self. And then, of course, something must be done. Nothing stays the same once we have found the God within…. We carry the world in our hearts: the oppression of all peoples, the suffering of our friends, the burdens of our enemies, the raping of the Earth, the hunger of the starving, the joy of every laughing child.
It all stems from the same thing - which is that when we are face to face - and this is what I think is so ironic about Facebook being called Facebook, because we are not face to face on Facebook ... when we are face to face, we are inhibited by the presence of the other. We are inhibited from aggression by the presence of another face, another person. We're aware that we're with a human being. On the Internet, we are disinhibited from taking into full account that we are in the presence of another human being.
The face you have at age 25 is the face God gave you, but the face you have after 50 is the face you earned.
Before I go to bed I clean my face with a cleansing milk and cotton pads and then wash my face thoroughly with a foamy face wash. I apply a calamine lotion on my face and a medicated moisturizer on my face and neck. I repeat the same procedure after I wake up in the morning.
Consciousness even in my sleep changes primary colors. The features of my face melt like a wax doll in the fire. And who can consent to see in the mirror the mere face of man?
When we come face-to-face with one down a dark alley, we're going to be having a shufti to see if it's solid, aren't we, we're not going to be asking, 'Excuse me, are you the imprint of a departed soul?
I have never had a pair of knickers sent in the post. I've had jams, lemon drizzle cakes, West Ham football shirts and footballs and books. I've had pillowcases with my face on, tea towels with my face on, face flannels with my face on, towels with my face on.
Every time I stand in front of mirror, I found my face too ugly, so I thought I have to get the role in some movies which cover my face with make up.
My favorite emoji is definitely the sad face, like the 'See, I'm sorry' sad face, which I use all the time... Or the monkey face, where he's covering his eyes.
When all the faces have been rejected and emptiness is left, you have found the original face. Emptiness is the original face. Zero is the ultimate experience. Nothingness - or more accurately NO-THINGNESS - is your original face.
I could be hit by a Sara Lee truck tomorrow. Which is not a bad way of going: 'Richard Simmons Found in a Freeway in Pound Cake and Fudge, With a Smile on His Face.' Let's face it. We don't know anything.
This site uses cookies to ensure you get the best experience. More info...
Got it!