A Quote by Anais Nin

I am aware of being in a beautiful prison, from which I can only escape by writing. — © Anais Nin
I am aware of being in a beautiful prison, from which I can only escape by writing.
What I am afraid of is the first thing I was ever aware of being afraid of and what I have told my daughter countless times she need not fear: being alone in the dark. It is a small prison of emotion from which there is no escape. It is also, in its own way, a shattering revelation.
For me, being in prison writing in an African language was a way of saying: "Even if you put me in prison, I will keep on writing in the language which made you put me in prison."
I'm actually not a fan of the word 'woke.' I think the connotation of that means being socially aware, which is a beautiful thing to be. But it does not take into account being self-aware.
The only way out is the way through, just as you cannot escape death except by dying. Being unable to write, you must examine in writing this being unable, which becomes for the present -henceforth?- the subject to which you are condemned.
Because I understand all the ways of trying to escape, how sometimes you escape one prison only to find you've built yourself a different one.
I have claimed that Escape is one of the main functions of fairy-stories, and since I do not disapprove of them, it is plain that I do not accept the tone of scorn or pity with which 'Escape' is now so often used. Why should a man be scorned if, finding himself in prison, he tries to get out and go home? Or if he cannot do so, he thinks and talks about other topics than jailers and prison-walls?
I was not aware of a ton of the stuff that was being said about me out in the world since I wasn't able to get British or American headlines from my prison cell in Perugia. But I was aware that in the courtroom, I was being called a succubus, a man-eater, 'Foxy Knoxy.'
Faced with today's problems and disappointments , many people will try to escape from their responsibility. Escape in selfishness, escape in sexual pleasure, escape in drugs, escape in violence, escape in indifference and cynical attitudes. I propose to you the option of love, which is the opposite of escape.
When people hear the term 'political prisoner,' especially on the Left, it becomes a kind of abstraction. Folks are aware of injustice, and they're aware that there are folks in prison who are in prison, you know, largely because of their activism.
Sometimes when I am writing, I am aware of a rhythm, a dance, a fury, which is as yet empty of words.
Simply put, meta-writing is writing that is self-conscious, self-reflective, and aware of itself as an artifice. The writer is aware she's writing, and she's aware there's a reader, which goes all the way back to Montaigne's often-used address "dear reader," or his brief introduction to Essais: "To the Reader." It can be done in a myriad of ways.
What I did, you know, being away from my family, letting so many people down. I let myself down, not being out on the football field, being in a prison bed, in a prison bunk, writing letters home, you know. That wasn't my life.
A freedom which is interested only in denying freedom must be denied. And it is not true that the recognition of the freedom of others limits my own freedom: to be free is not to have the power to do anything you like; it is to be able to surpass the given toward an open future; the existence of others as a freedom defines my situation and is even the condition of my own freedom. I am oppressed if I am thrown into prison, but not if I am kept from throwing my neighbor into prison.
I am aware that the battle I am fighting is a petty one, but I am also aware that in order to win that which is great, you must first win that which is small.
Childhood is the one prison from which there's no escape, the one sentence from which there's no appeal. We all serve our time.
I am very much aware that I am considered a 'strong woman.' And I am also aware that that is only because I had a child outside wedlock.
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