A Quote by Anais Nin
I am quite wiling to confide entirely in human being, except that at some moment or another human beings get preoccupied, moody, busy, inattentive, and there come an end to the interest, and this never happens in a journal!
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If you get too deep into the history, what often happens to a lot of us actors is that we become stilted. We forget that we're reading about something that happened a hundred years ago. If we don't put the human emotion that would naturally be in there, we end up being stilted instead of being human beings.
My message is to get human beings to love God, love their neighbor and for the life of me I just don't see the downside of human beings not being so mean to one another and actually care for one another and not steal from one another and not murder each other for their tennis shoes. That's the message I have.
I believe in recognizing every human being as a human being--neither white, black, brown, or red; and when you are dealing with humanity as a family there's no question of integration or intermarriage. It's just one human being marrying another human being or one human being living around and with another human being.
I only regret that everybody wants to deprive me of the journal, which is the only steadfast friend I have, the only one which makes my life bearable, because my happiness with human beings is so precarious, my confiding moods rare, and the least sign of non-interest is enough to silence me. In the journal I am at ease.
The human being that I strive to be is a great human being, like a loving human being, but as an actor, you take on roles that are not you and that's the fun part for me as far as acting goes. You really get to learn about other human beings and not judge.
Art arises in those strange complexities of action that are called human beings. It is a kind of human behavior. As such it is not magic, except as human beings are magical. Nor is it concerned in absolutes, eternities, "forms," beyond those that may reside in the context of the human being and be subject to his vicissitudes. Art is not an inner state of consciousness, whatever that may mean. Neither is it essentially a supreme form of communication. Art is human behavior, and its values are contained in human behavior.
We're all human beings. Experience is experience, let's just be honest. Let's not try and dissect suffering into a race, or whatever you want to call it. We're all human beings, one way or another. All races have gone through times that are challenging; that's part of being a human.
The real tragedy is that we're all human beings, and human beings have a sense of dignity. Any domination by one human over another leads to a loss of some part of his dignity. Is one's dignity that big it can be crumbled away like that?
I think that as human beings, we quite naturally take for granted what is similar among human beings and, then, pay attention to what differentiates us. That makes perfect sense for us as human beings.
I love being in a band. I love playing with other human beings. I've never practiced drums unless there was another human being in the room.
Collaboration to me is... my favorite collaboration in the theatre is the collaboration between the actors and the audience because it's just that thing that happens when the only thing left that is left on the human scale is that human beings come to look at other human beings act out stories.
I have learned two lessons in my life: first, there are no sufficient literary, psychological, or historical answers to human tragedy, only moral ones. Second, just as despair can come to one another only from other human beings, hope, too, can be given to one only by other human beings.
There are novels that end well, but in between there are human beings acting like human beings. And human beings are not perfect. All of the motives a human being may have, which are mixed, that's the novelists' materials. That's where they have to go. And a lot of that just isn't pretty. We like to think of ourselves as really, really good people. But look in the mirror. Really look. Look at your own mixed motives. And then multiply that.
When we unravel the theological tomes of the ages, the makeup of God becomes quite clear. God is a human being without human limitations who is read into the heavens. We disguised this process by suggesting that the reason God was so much like a human being was that the human beings were in fact created in God's image. However, we now recognize that if was the other way around. The God of theism came into being as a human creation. As such, this God, too, was mortal and is now dying.
I say at the very end of "Winter Journal" that I do dream about my father often. I think I have a tremendous compassion for him, which has grown over the years. A certain kind of pity for him also in that he was so unrealised as a human being, so dogged, and so shut-off from people in many ways. You know, I've been writing another book, and it's another non-fiction autobiographical work, kind of a compliment to "Winter Journal", and it's just finished.
The first lesson, simple as it is, is that whatever court we're in, whatever we are doing, at the end of our task some human being is going to be affected. Some human life is going to be changed by what we do. And so we had better use every power of our minds and our hearts and our beings to get those rulings right.
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