A Quote by Anand Giridharadas

For our family, learning was everything. Homework came first; books, being sacred, were never to be left on the floor. — © Anand Giridharadas
For our family, learning was everything. Homework came first; books, being sacred, were never to be left on the floor.
A man is like a two-story house. The first floor is equipped with an entrance and a living room. On the second floor is every family member's room. They enjoy listening to music and reading books. On the first underground floor is the ruin of people's memories. The room filled with darkness is the second underground floor.
The rest, with very little exaggeration, was books. Meant-to-be-picked-up books. Permanently-left-behind books. Uncertain-what-to-do-with books. But books, books. Tall cases lined three walls of the room, filled to and beyond capacity. The overflow had been piled in stacks on the floor. There was little space left for walking, and none whatever for pacing.
I feel sorry for kids these days. They get so much homework. Remember the days when we put a belt around our two books and carried them home? Now they're dragging a suitcase. They have school all day, then homework from six until eleven. There's no time left to be creative.
Shooting for 'Gandhi' was a revelation for me. We were all given scripts and then we were asked to do our homework. I searched for books on Kasturba, but I found only two books, that's all. So I had to rely on my own skills.
Yeah, I think everybody goes through periods, especially in college, where the homework is really piling up and then you have several more weeks of school left and you think that you'll never be able to get through all the homework problems that you have to do or read all the books or write all the papers that you have to write.
We didn't have any books at home. Not even children's books or fairy tales. The only 'fantastic' stories came from religion class. And I took them all very literally, that God sees everything, and so I felt I was always being watched. Or that dead people were in Heaven right over our village.
The first Amy Silver book was commissioned, and they were not books that came completely from me. They weren't necessarily the sort of books I read, and although I enjoyed doing them very much, and they were great training, I never felt completely comfortable in that genre.
You will remember when a bird crashed through the window and fell to the floor. You will remember, those of you who were there, how it jerked its wings before dying, and left a spot of blood on the floor after it was removed. But who among you was first to notice the negative bird it left in the window? Who first saw the shadow that the bird left behind, the shadow that drew blood from any finger that dared to trace it, the shadow that was better proof of the bird's existence than the bird ever was?
The graveyard is the richest place on earth, because it is here that you will find all the hopes and dreams that were never fulfilled, the books that were never written, the songs that were never sung, the inventions that were never shared, the cures that were never discovered, all because someone was too afraid to take that first step, keep with the problem, or determined to carry our their dream.
Me and my sisters were taught that if our eyes worked and our legs worked, we were beautiful. We had so many kids in our family that if we all got in front of the mirror and were ashamed of browns and golds and yellows and whites, and we believed what society told us - that the darker people were less attractive and the lighter ones were prettier - we would have had sibling murders. My family, being half-rural and half-military, just came from a different place.
Both my parents came with their parents during the revolution in Cuba. Both my parents were born in Cuba. They left everything over there. My family got stripped of everything - of their land, of their jobs, everything.
In the summer of 1988, my father took me up to look at the remains of our home, the dream house that he'd built. It was my first time since our family left four years earlier. Political and obscene graffiti covered the half-torn walls. There was no ceiling and surprisingly no floor: the parquet, the stone, the marble, all looted.
I have never done homework and have always left the details to the director. This holds true from my first film 'Naache Mayuri' to 'Naagin.'
I came running down the stairs that morning, like it was Christmas. My parents were already up. In my family, presents never waited; they were there upon waking. Our family has a problem with what they called delayed gratification. We want what we want when we want it, and we always want it now.
Everything an Indian does is in a circle, and that is because the power of the world always works in circles, and everything tries to be round. In the old days when we were a strong and happy people, all our power came to us from the sacred hoop of the nation, and so long as the hoop was unbroken the people flourished.
There were epochs in the history of humanity in which the writer was a sacred person. He wrote the sacred books, universal books, the codes, the epic, the oracles. Sentences inscribed on the walls of the crypts; examples in the portals of the temples. But in those times the writer was not an individual alone; he was the people.
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