A Quote by Anand Giridharadas
My mother grew up strong. She was a charismatic leader among her peers, staging plays, organizing projects, raising money for charity; she was fiercely protective of her younger brother, with whom she shared a passion for jazz and rock and roll.
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Mom spent the time that she was supposed to be a kid actully raising children, her younger brother and younger sister. She was tough as nails and did not suffer fools at all. And the truth was she could not afford to. She spoke the truth, bluntly, directly, and without much varnish. I am her son.
There are certain characteristics that define a good chimp mother. She is patient, she is protective but she is not over-protective - that is really important. She is tolerant, but she can impose discipline. She is affectionate. She plays. And the most important of all: she is supportive.
Susan was very fun to be around. She liked movies, and her brother Frank made her tapes of this great music that she shared with us. But over the summer she had her braces taken off, and she got a little taller and prettier and grew breasts. Now, she acts a lot dumber in the hallways, especially when boys are around. And I think it's sad because Susan doesn't look as happy.
She was a wonderful mother. She was my best friend. Same for my brother. And it's funny because we didn't grow up in Hollywood. You know, once she decided that she needed to be a mother, she really gave up her career.
She regretted nothing she had shared with her lover, nor was she ashamed of the fires that had changed her life; just the opposite, she felt that they had tempered her, made her strong, given her pride in making decisions and paying the consequences for them.
She'd assumed she'd be married and have kids by this age, that she would be grooming her own daughter for this, as her friends were doing. She wanted it so much she would dream about it sometimes, and then she would wake up with the skin at her wrists and neck red from the scratchy lace of the wedding gown she'd dreamed of wearing. But she'd never felt anything for the men she'd dated, nothing beyond her own desperation. And her desire to marry wasn't strong enough, would never be strong enough, to allow her to marry a man she didn't love.
The adolescent does not develop her identity and individuality by moving outside her family. She is not triggered by some magic unconscious dynamic whereby she rejects her family in favour of her peers or of a larger society.... She continues to develop in relation to her parents. Her mother continues to have more influence over her than either her father or her friends.
She was made up of more, too. She was the books she read in the library. She was the flower in the brown bowl. Part of her life was made from the tree growing rankly in the yard. She was the bitter quarrels she had with her brother whom she loved dearly. She was Katie's secret, despairing weeping. She was the shame of her father stumbling home drunk. She was all of these things and of something more...It was what God or whatever is His equivalent puts into each soul that is given life - the one different thing such as that which makes no two fingerprints on the face of the earth alike.
Charity never lacks what is her own, all that she needs for her own security. Not alone does she have it, she abounds with it. She wants this abundance for herself that she may share it with all; and she reserves enough for herself so that she disappoints nobody. For charity is perfect only when full.
For a mother the project of raising a boy is the most fulfilling project she can hope for. She can watch him, as a child, play the games she was not allowed to play; she can invest in him her ideas, aspirations, ambitions, and values - or whatever she has left of them; she can watch her son, who came from her flesh and whose life was sustained by her work and devotion, embody her in the world. So while the project of raising a boy is fraught with ambivalence and leads inevitably to bitterness, it is the only project that allows a woman to be - to be through her son, to live through her son.
I knew she was a party girl. The book I liked most on her was called [princess] Margaret: A Life of Contrasts and getting to know her, it was how conflicted her position and her internal life - or self - was. She is so fiercely royal and so fiercely "sister of the queen" or "daughter of the king" because that is her identity and it's all she's ever known. And at the same time she is struggling to push the boundaries and to break away from it, to be different or to modernize the monarchy, to turn it on its head.
Sometimes she wants her pacifier, and other times, she doesn't even want it near her. She's very strong and determined. She's always trying to stand, and she was born with her eyes open, so she's ready to go.
My mother was a full-time mother. She didn't have much of her own career, her own life, her own experiences... everything was for her children. I will never be as good a mother as she was. She was just grace incarnate. She was the most generous, loving - she's better than me.
The Winter Woman is as wild as a blizzard, as fresh as new snow. While some see her as cold, she has a fiery heart under that ice-queen exterior. She likes the stark simplicity of Japanese art and the daring complexity of Russian literature. She prefers sharp to flowing lines, brooding to pouting, and rock and roll to country and western. Her drink is vodka, her car is German, her analgesic is Advil. The Winter Woman likes her men weak and her coffee strong. She is prone to anemia, hysteria, and suicide.
Growing up, I saw my mother cry exactly once. The morning of her brother's funeral. One long tear ran down her cheek through her make up until she caught it near her mouth and patted it dry with a tissue she pulled from inside her sleeve.
I love a lot of these older actresses, like Cicely Tyson, who played Kunta Kinte's mother in 'Roots.' She was really great, and I like seeing her because every movie she plays, she plays a strong character. As a kid, she was really inspiring to me.
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