The luxury that I have is I'm not career-minded, I just live from one film to the next. For a time, I was making documentaries, and all my documentaries were winning awards and stuff, and then I lost interest in documentaries.
I hope that not only my documentaries, but everybody's documentaries, last. It will really confuse historians in the next century, because they'll have, in addition to all the print material, they'll have all these pictures to look at.
I'm not one of those people who sees documentaries as a stepping stone to doing fiction. I love documentaries and watch tons of documentaries. But, I like fiction films a lot, too.
I am a master of fiction. I am also the greatest crime novelist who ever lived. I am to the crime novel in specific what Tolstoy is to the Russian novel and what Beethoven is to music.
I never really had any intention of getting involved in documentaries until the opportunity came around. I always thought much more in classic fiction cinema terms and I think I tried to apply those ideas to documentaries and not vice versa.
From a young age, I wanted to play in the NBA. Oh well... It was when I was a senior in college that I fell for film, but even then, it wasn't documentaries. It wasn't until I ended up in graduate school at Southern Illinois University that I really discovered documentaries and thought that maybe that would be my calling.
I came to know that in many ways it was a crime to be Filipino in California .... I feel like a criminal running away from a crime I did not commit. And this crime is that I am a Filipino in America.
I love the idea of documentaries. I love seeing documentaries, and I love making them. Documentaries are incredibly easy to shoot. The ease with which you can hear something's going on, somebody's going to be somewhere: That sounds so interesting. Pick up your camera and go.
The best crime stories are always about the crime and its consequences - you know, 'Crime And Punishment' is the classic. Where you have the crime, and its consequences are the story, but considering the crime and the consequences makes you think about the society in which the crime takes place, if you see what I mean.
Too many documentaries are intellectual exercises. I want documentaries to be alive.
When I go to the DVD shop, I mostly buy documentaries because you learn a lot from documentaries.
If I could make a decent living doing documentaries, I would. I don't really care about [the other] stuff so much. But you can't make a living doing documentaries. Although it has affected my work, at least in that I think I make fairly realistic-looking pictures.
I'm fascinated by documentaries, to begin with. Because of the nature of television, as opposed to theatrical, documentaries can be in this long form and take you on a journey.
I had seen some films made about the underground music world in Tehran, and most of them were short documentaries about 30 or 40 minutes long. And I always wondered why they weren't publicized more. Really, their only flaw was they were short documentaries.
One day I decided to move towards documentaries or to move to more directing in documentaries at this point in my career. Why documentaries? I also love fiction. I would love to direct a fiction movie as well. But I think where I come from, reality is so interesting and has in it so many good stories to tell, this is why I'm doing that. I'm enjoying that.
Reality television hasn't killed documentaries, because there are so many great documentaries still being made, but it certainly has changed the landscape.