A Quote by Anat Cohen
My father knew classical music very well. Driving in the car, listening to the radio, he could name every composer, every movement, what piece it was. I was fascinated by the way he recognized who wrote what.
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I've never approached classical music in a formal way, ever. I couldn't read very well. I'd have to play every piece and internalize it, almost as if I had written it myself.
I graduated high school in 1989, and there was no alternative rock radio, and there wasn't really good college radio you could get on a car stereo. Once you get a car at that age, you're spending all the time you can away from home, sometimes just driving around aimlessly. Listening, or not even listening, but subconsciously soaking up this classic rock barrage.
Deep Listening is listening in every possible way to everything possible to hear no matter what you are doing. Such intense listening includes the sounds of daily life, of nature, or one's own thoughts as well as musical sounds. Deep Listening represents a heightened state of awareness and connects to all that there is. As a composer I make my music through Deep Listening
I wrote a song, but I can't read music so I don't know what it is. Every once in a while I'll be listening to the radio and I say, "I think I might have written that."
I strongly encourage listening to the radio to hear something you haven't heard before. It's a very healthy thing to do. It's strange: unless you reload your iPods every couple of weeks, you're listening to and recycling the same music all of the time. I'm serious. Listen to your radio station.
I'll always be fascinated with radio. Radio allows you to have a one-to-one relationship with the person sharing the music with you. You can also do very many things if you're listening to the radio, things you can't so if you're watching TV or watching a phone.
You know I'm a bit of a dag because I listen to classical music. I recently bought myself an iPod and downloaded every piece of classical music that I had access to onto that.
My mom was an opera singer. She did all the classical music, and I heard it. I know every opera. I know every classical piece of music.
I can think and play stuff in classical music that possibly violinists who didn't have access to other types of music could never do. It means I'm more flexible within classical music, to be a servant to the composer.
Growing up in Southern California, it's all car culture. When I was a kid, I knew every single model of every single car dealer; I knew every style of every year.
As a really young child, I was listening to the echoes of the age before, music hall and stuff like that, as well as classical bits on the radio.
I knew I could play well on the grass, but I really played so well today. I knew exactly what I had to play to beat her. I just did everything I could in the moment. I was very focused for every point. I knew that I had to go forward for every shot I was playing to push her back, and yeah, I did it.
Every accent, every emphasis, every modulation of voice, was so perfectly well turned and well placed, that, without being interested in the subject, one could not help being pleased with the discourse; a pleasure of much the same kind with that received from an excellent piece of music. This is an advantage itinerant preachers have over those who are stationary, as the latter can not well improve their delivery of a sermon by so many rehearsals.
AJ Styles, he is very well established, very well known. He had a name that was very well known. I would think, outside of WWE, his might be the most outside-recognized wrestling name in the world. Samoa Joe as well. He could have debuted straight to Raw or SmackDown, absolutely.
I had great inspiration from a Japanese composer named Toru Takemitsu. He wrote over 90 film scores and a lot of concert music, a lot of classical music, and he gave me a lot of inspiration, as well as composers from other countries.
My entire family are in music and my father was a classical singer, teacher and composer.
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