A Quote by Anat Cohen
I focused on the saxophone ever since high school. It wasn't until my album 'Poetica,' which I recorded in 2006, that I went back to the clarinet. It felt like it was waiting for me!
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[Larry Laurenzano] gave me a junior high school saxophone to take to high school, because I was always taking one of our school horns home to practice and I couldn't afford to buy one. He gave my friend, Tyrone, a tuba and he gave me a junior high saxophone for each of us to use at Performing Arts High School with. My audition piece was selections from Rocky. We were not sophisticated. But we had some spirit about it. We enjoyed it, and it was a way out.
The saxophone was created to mimic the human voice and I think that's why I gravitated toward the saxophone eventually. I'd loved the clarinet, but there's something about the saxophone that just grabs you.
I was in the Minnesota state Senate from 2000 until 2006. In 2006, I was urged to run for Congress, I did. And I've been here ever since.
I always wanted to have my own album recorded and released before I graduated high school.
It couldn't have been more nerdy or bizarre, playing the clarinet. But I studied classical clarinet, went to the high school for music and art in New York City, and then found the guitar and the mandolin after it.
Ariana has completed me. I felt I'd lived all my high points, till the baby came and life's been on a high ever since. It feels like with her I'm discovering innocence all over again.
When I was 13 they were saying your album won't come out until your sweet 16. I felt really frustrated because that felt like forever from then and I felt like I was ready then. Looking back I wasn't ready.
I played the flute in elementary school, but when I got into high school, they didn't have any flutes; they gave me a clarinet and said, 'Play it in the same way, just hold in a different position.' I really didn't care much for it.
The first play I ever saw - I was in junior high school - was a high school production of Noel Coward's 'Blithe Spirit,' which seemed to me absolutely magical.
When I was younger - up until I was 19 years old and in college - I was surrounded with people in high school who felt like they knew what they wanted to do with their lives, and that was intimidating to me because I didn't.
We recorded Star Climbing over a three-year period between our studios, working on songs and lyrics until we felt like we had found the albums direction. It is our most distinctive album to date, combining all our different tastes and styles into one.
I was focusing on sax while at Berklee, but then I started to play Brazilian choro and Colombian music. I was doing more folkloric stuff on the clarinet because it works better. Finally, I realized I was working more on the clarinet than the saxophone, and I started to feel more comfortable on it.
Harkening back to a story about my grandfather, I was lucky to attend a great high school in New York, Bronx High School of Science, which has produced more Nobel prize winners than any other high school in America.
I actually live right near a high school and I always walk by...I live in a high school. I actually live in the boiler room of a high school at night. When I see high school guys now I'm actually like, 'Thank f - king God I'm not in high school anymore because they look like they could kick the living s - t out of me.'
The only pressure comes form myself. I put pressure on myself at first just because I was intimidated. When I made Amy Poehler laugh, it was a big thing for me. She's been one of my role models since high school, because she started UCB, which is what I wanted to do since high school.
I had teachers in high school to point me in the direction of the University of Indiana School of Music, and after IU, I went on to study at the Academy of Arts in Philadelphia. I graduated in 2006.
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