A Quote by Anat Cohen

When I play the clarinet, I am 100 percent myself. It is as if it is part of my body. I can play whatever I think. Let me just read a melody and make it as sweet as I can.
I know you can't play this game 100 percent. It's very rare that you can be able to play this game at 100 percent. You can do one thing; you can't do both: You can't pray and then worry at the same time. I pray, and that's it. And then I just go play. Whatever happens, happens.
I am committed to whatever cricket I play. Once I step across the line I am 100 percent committed - it doesn't matter what kind of cricket we play.
It's not easy, but I play with my body, and I can feel how important it is to get 100 percent fit to play. This is an important thing to play in the Premier League.
It doesn't matter what part I play, I try and commit myself 100 percent.
I don't play for myself. I play for my teammates and play for the people that helped me get to where I am. I know they're watching me every week, and I want to play for them. It's just in my heart, and that's who I am.
I have a 'Play The Melody' philosophy. It means don't over arrange, don't make life difficult. Just play the melody-and do it the simplest way possible.
So - here I am in the dark alone, There's nobody here to see; I think to myself, I play to myself, And nobody knows what I say to myself; Here I am in the dark alone, What is it going to be? I can think whatever I like to think, I can play whatever I like to play, I can laugh whatever I like to laugh, There's nobody here but me.
When I first met Benny Goodman he wouldn't talk about anything but clarinets, mouthpieces, reeds, etc. When I tried to change the subject, he said 'But that's what we have in common. We both play clarinet.' I said, 'No, Benny, that's where we're different. You play clarinet, I play music.'
I started on the clarinet. I was going to a music school - my mother took me - and the guy said, 'What do you want to play?' I said the drums, and my mother said, 'No, you don't. You don't want to play the drums.' So I said, 'Maybe the trumpet would be cool.' And my mother said, 'I don't think so.' And then the clarinet was handed to me.
Some old people, they remember that they used to play clarinet, and they remember the squeaks of the clarinet. But I don't play like that.
When I'm a little fatigued, sometimes I baby it. I don't try to do it. I'm not 100 percent. I probably won't be the rest of conference play. I just have to play through it. I've never really been injured before.
I think it all comes back to the individual. My instrument's just a pile of metal and wood! If you listen to the way I speak I have a lot of rhythm, use a lot of accents. When I'm playing my instrument that concept comes through very clearly. In fact some people who've seen me play have noticed that I'm singing - but it's more that I'm actually speaking. So it's not really about the instrument. But for me, in my thinking, the music is all about the melody. When I compose, 99 percent of the time I start with the melody.
The knee just isn't 100 percent. It's hard to be out there when you know that you can't play at your best and could potentially make it worse.
My approach to this game for 14 years that I've been in this league is to play hard and give my 100 percent, whatever I have.
Give me 100 percent. You can't make up for a poor effort today by giving 110 percent tomorrow. You don't have 110 percent. You only have 100 percent, and that's what I want from you right now.
I think probably when I was little, after my brother turned on me, I just had to play by myself or with myself. I've always done that. I think either it's some kind of weirdly competitive streak or it takes my mind off whatever's bothering me.
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