A Quote by Anatole Broyard

Ruefulness is one of the classical tones of American fiction. It fosters a native, deglamorized form of anxiety. — © Anatole Broyard
Ruefulness is one of the classical tones of American fiction. It fosters a native, deglamorized form of anxiety.
You see the one thing I've always maintained is that I'm an American Indian. I'm not a Native American. I'm not politically correct. Everyone who's born in the Western Hemisphere is a Native American. We are all Native Americans. And if you notice, I put American before my ethnicity. I'm not a hyphenated African-American or Irish-American or Jewish-American or Mexican-American.
I see that I am inwardly fashioned for faith and not for fear. Fear is not my native land; faith is. I am so made that worry and anxiety are sand in the machinery of life; faith is oil. I live better by faith and confidence than by fear and doubt and anxiety. In anxiety and worry my being is gasping for breath - these are not my native air. But in faith and confidence I breath freely - these are my native air.
Evidently, there are many great American writers. But sometimes it can feel as though American fiction is dominated by relatively linear narrative form, with a heavy emphasis on psychological realism. If you limit yourself to a certain kind of American literary fiction, it's easy to forget about the different kinds of books that are being written. You can forget to be ambitious, both as a reader and a writer.
If certain books are to be termed 'immigrant fiction,' what do we call the rest? Native fiction? Puritan fiction? This distinction doesn't agree with me.
The Justice Department ruled that Native American tribes are allowed to grow and sell marijuana on reservations. This decision was hailed as a victory by Native American leader Giggling Eagle.
The western has always been, for me, the bread and butter. It's the easiest place for an identifiable Native American to be able to work. But I do yearn to be known as an actor rather than a 'Native American actor.'
My family is Native American, and I was raised with Native American ceremonies.
I have four relatively small children, and around fourth grade, they start doing big projects on Native Americas: everything is Native Americans in elementary school. Do you know how many Native American dresses I've sewn, on and on; it's a full yearlong study. And then never again. As journalists, we never even cover Native Americans.
Nobody else in the world has a form like the Native American musical, and Americans should be very proud.
Some Native American writers enjoy being called Native American writers.
Everyone who's born in the Western Hemisphere is a Native American. We are all Native Americans.
Well, as a native, as a colonized people you do live in the in between. The thing is I'm native. But necessarily because I'm a member of the country, I'm also a White American.
I've worked with some great orchestras and amazing classical musicians, but I don't like the conceptualization of classical music as an elitist form of art.
In a way, the history of jazz's development is a small mirror of classical music's development through the centuries. Now jazz is a living form of original music, while classical music has gotten to the end of its cycle in terms of exploring its form.
Through the years, I found we had Native American blood in us. My great-grandmother came from the island of Martinique, and they hooked up with the Native Americans of Louisiana.
When you start to look at Native American history, you realize that, very far from being a peaceful, morally superior people, Native Americans were not that different from Europeans.
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