A Quote by Anatole Broyard

I remember a table in BarchesterTowers that had more character than the combined heroes of three recent novels I've read. — © Anatole Broyard
I remember a table in BarchesterTowers that had more character than the combined heroes of three recent novels I've read.
I would sooner read a time-table or a catalogue than nothing at all. They are much more entertaining than half the novels that are written.
I didn’t care…about heroes who could read minds or walk through walls or do magic. The heroes I liked had courage and knew more real stuff than those who opposed them.
Everyone likes a bit of variety. I'm sure none of my readers only want to read about anti-heroes or villainous protagonists any more than they only want to read about square-jawed heroes doing the right thing. I just write characters than entertain me and hope they'll be ones that other people want to read about, too.
I read novels for entertainment rather than for edification, so I tend not to read the sort of novels that are said to illuminate the human condition.
In many joyfully-admired recent novels, love appears as little more than sex-manual instruction.
One of the things I noticed more in this draft than in any recent drafts was the importance of the character issue. Players who had baggage, like Justice, fell much farther than his talent dictated. But a lot of coaches didn't want to take the chance.
I always wanted to write novels, even before I had read a lot of novels or had a very good idea of what they were.
I had left the music industry at the end of 2001, after 10 years, and had spent three years writing every single day - producing two unpublished novels, one abandoned novel, and three unproduced screenplays. The word 'no' and I were on more than nodding terms. The word 'no' and I were talking about going on holiday together.
I wanted to avoid what some modern tellers have done, quite legitimately, to make fairy tales more like novels and short stories, to characterize the heroes and the heroines much more than they are characterized in Grimm. I like the psychological flatness of them, the fact that they're more like masks than individuals.
I read all types of books. I read Christian books, I read black novels, I read religious books. I read stuff like 'Rich Dad, Poor Dad' and 'The Dictator's Handbook' and then I turned around and read science-fiction novels.
On 'Lab Rats,' I read the script probably three or four times before we ever even do a table read because I want to be completely prepared. And I want to know exactly which beats I have to hit and where I need to make something comical. Some lines need a little more than others do just to get the point across, to get the joke to be funny.
I've read every single fantasy novel there is. I mean, I would challenge a lot of people to read more fantasy novels than I have.
Ours is certainly not an old culture. Yet in recent decades we've used more energy, destroyed more soil, created more pathogenicity (temporarily stopped some too, for sure), mutated more bacteria, and dumped more toxicity on the planet than all the cultures before us-combined. I love the United States, but I am not blind to the wrongs. I have no desire to live anywhere else, but that doesn't mean I think everything we're doing should be done or can be maintained.
I had read Harold Bloom's 'Where Shall Wisdom Be Found?' Late in his life, having read everything, Bloom asked which books had given him wisdom. I had just read a bunch of contemporary novels that had no wisdom for me.
I often say to my students in workshops that if they are trying to find literary inspiration, they should not go and read novels, because novels are more appropriate for series. Where as they should read short stories - that's the right format for you to be able to actually display the narrative in a film.
Read. Read. Read. Read. Read great books. Read poetry, history, biography. Read the novels that have stood the test of time. And read closely.
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