A Quote by Anatoly Chubais

I'm communicating with the directors of the Soviet companies, and I see that it is wrong, but when I go to the official discussions, they discuss we should change the color of the walls.
I want to use film to tell stories that need to be told to spark discussions that will lead to change. I really want to see a change in the mindset of youth, how they see themselves and how they value life. Young audiences will be able to see themselves in this film and older audiences will gain an understanding of what their kids are dealing with on a daily basis. Kids discuss what they see on TV, social media, film so I want to create content that they will discuss and will change the way they think.
We think of color as a thing that we’re receiving. And if you go into one of the Skyspaces, you can see that it’s possible to change the color of the sky. Now, I obviously don’t change the color of the sky, but I changed the context of vision.
It's not that writing staffs don't change at all, but they don't change very much. Directors are freelancers. There are directors who do five or 10 episodes of a show every year for years, but most directors are freelance, they come and go.
Color is a very personal thing. You need to make sure to choose a color that makes you happy. But I don't recommend accent walls - choose a color you can live with on all four walls.
To me, the fundamental thing - well, I guess I see a lot of people debating in the wrong way. A lot of the debate is, should we go to the coasts, should we go to the center, should we go to the left, should we go to the right?
People will never know how hard it is to get information, especially if it's locked up behind official doors where, if politicians had their way, they'd stamp 'top secret' on the color of the walls.
I'm looking to see more women of color not only in companies in technology, but also creating companies.
In a small powder room, the inclination is to go with a light wall color. My trick is to do the opposite - such as a patterned wallpaper or a deep color on the walls. It's more interesting and makes a design statement.
Walls protect and walls limit. It is in the nature of walls that they should fall. That walls should fall is the consequence of blowing your own trumpet.
I think directors should at least take acting lessons to see what's going on. And I think all actors should direct to see what a director has to go through.
When the Soviet Union walked out of arms control negotiations, and refused even to discuss the issues, the San Francisco Democrats didn't blame Soviet intransigence. They blamed the United States.
Official history is merely a veil to hide the truth of what really happened. When the veil is lifted, again and again we see that not only is the official version not true, it is often 100% wrong.
The red directors were one of the main political forces. Another force was the former Soviet ministers who lost everything because of the transformation of the Soviet Union to Russia.
I never discuss discussions.
Films really can change a conversation and change someone's thinking and perception, especially with people of color at the center. It rarely happens. I think it's important for both the community but also the world to see people of color in all genres, especially love stories.
Be flexible. Don't be afraid to change your mind. If you're wrong, change your mind. If you go down the wrong path, and you're down 10-12%, it's better to sell down 15% versus 50%. If you have an idea that something is going to happen, you're predicting the future, and it's OK to be wrong. Where you can go wrong is by making a prediction that doesn't come true, and then sticking with it.
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