A Quote by Anatoly Rybakov
The comforts come from my movie and television writing. It is unusual to live this well simply from books.
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Writing for television is completely different from movie scriptwriting. A movie is all about the director's vision, but television is a writer's medium.
To the question of writing at all we have sometimes been counselled to forget it, or rather the writing of books. What is required, we are told, is plays and films. Books are out of date! The book is dead, long live television! One question which is not even raised let alone considered is: Who will write the drama and film scripts when the generation that can read and write has been used up?
Well, I've read through that handbook for the recently deceased. It says, 'live people ignore the strange and unusual. I, myself, am strange and unusual.
Writing books isn't a drastic departure from writing for the stage. I've always written in the long format, five, eight, 10-minute pieces rather than one-liners, so since writing books, the process hasn't changed much. A piece in my live routine can end up as part of one of my HBO specials, and it can also end up in one of the books.
I have let half-decades elapse between books because books have to be writte and writing is awful, but if you are the type of person who makes things, there is no profit in worrying about how or why or when the next project will come into being beyond simply acknowledging that it is inevitable that it will be very soon.
You need to think about the system that you live in and the comforts that you have. But the comforts that you have that are causing the discomforts of a massive amount of people around the world.
The Saviour and the Comforter, two Persons of the Godhead: the One ever saves from sins, and the Other comforts him who is saved. Their very names are taken from their deeds, and are always actually justified. He comforts! The Holy Spirit comforts the believing soul, as a mother comforts her child.
I think the books are the books. They were conceived as books. They weren't conceived as movies. When I write scripts, that's an idea and a situation that I think is a really good idea for a movie. When I'm writing a book, I'm not thinking, "Oh, this would be a great movie." This would be a very interesting book. And I think the books are things that cannot really be adapted into another medium.
I am through generalizing about ideas apart from men who generate them. I am through writing books about the dead, or writing books about the living to the unborn (tucked away as Literature) or writing books about the unborn to the living (whiffed away as prophecy). I put up my life on advertising the living to the living, on making men of genius known to the people and interpreted to their time, that the time in which I live, may live face to face with its men of vision and that they may live face to face with one another.
When you write comic books and when you are writing for television, you're not writing the end product, you are writing notes for someone else to make the end product essentially. My scripts are just directions for the artist to draw pages and the pages are what is seen. I kind of feel like it's a safety net, you're able to hide behind the art to a certain extent, and in television you're able to hide behind the actors and the production, but with novels, your words are it
Who is writing these screenwriting books? Not actually writing for the studios in Hollywood. These are people that have one or a half of a credit on maybe one movie, or none. So they're all theoretical.
Serial killers are everywhere! Well, perhaps not in our neighborhood, but on our television screens, at the movie theatres, and in rows and rows of books at our local Borders or Barnes and Noble Booksellers.
I don't read a lot of inspirational books for life. But for writing, I think the two best books are The War of Art and William Zinsser's On Writing Well. I read a lot of classics.
We live in such a hyperliterate world, soaked and saturated in writing: on our machines, on the streets, on our television screens. It's just that writing doesn't live in the boxes that it used to. The genie is out of the bottle. But that just means that the magic could be anywhere.
If I'm home with no chore at hand, and a package of books has come, the television set and the chess board and the unanswered mail will have to manage without me if one of the books is a detective story.
I don't think people come to television for spectacle. And I don't really have a lot of fun writing spectacle for television, I'll do that in features.
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