A Quote by Anchee Min
There have been 50 or 60 books written about Empress Orchid, but none of them bothered to really examine the period in China when she lived. I was taught that she was evil; it's in all the textbooks.
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Forever, reading has been central, the necessary fix, the support system. Her life has been informed by reading. She has read not just for distraction, sustenance, to pass the time, but she has read in a state of primal innocence, reading for enlightenment, for instruction, even. ... She is as much a product of what she has read as of the way in which she has lived; she is like millions of others built by books, for whom books are an essential foodstuff, who could starve without.
She thought about her life and how lost she’d felt for most of it. She thought about the way that all truths she’d been taught to consider valuable invariably conflicted with the world as it was actually lived. How could a person be so utterly lost, yet remain living?
It had been years since she question his fidelity, but he'd stepped on to the old fame track again, and that was where the road had taken them before. Infidelity could be forgiven, but forgetting it was impossible. Strangely, that wasn't what bothered her the most. What bothered her was that she didn't really care.
The techniques are all means of dealing with one simple idea: She wrote it. (That is, the "wrong" person--in this case, female--has created the "right" value--i.e., art.)
Denial of Agency: She didn't write it.
Pollution of Agency: She shouldn't have written it.
Double Standard of Content: Yes, but look what she wrote about.
False Categorizing: She is not really she [an artist] and it is not really it [serious, of the right genre, aesthetically sound, important, etc.] so how could "she" have written "it"?
Or simply: Neither "she" nor "it" exists (simple exclusion).
My grandmother lived to be 100 years old. Her grandmother was a slave, yet she was a college graduate in the Spellman class of 1917. She taught art for 50 years and she saved her Social Security checks for her children's education.
I knew my own mother had been in the theater for a while and had taught children, because she used to teach me the pieces that she taught them, but she did much more than that.
My mother lived her life through movies and books - she read everything there was to read. And she read to me every night. I never went to sleep without her reading to me. And she fantasized about the book and she would talk about it, the place, and you would think that after she read the book and after she told you stories about it, that she had actually been there. I learned about story from her, and I learned the value of a great story, and the value of great characters.
What stands out to me most about Maya Angelou is not what she has done or written or spoken; it's how she lived her life. She moved through the world with unshakable calm, confidence and a fierce grace.
She remembered no one at all. She remembered one day thinking: I am alone. There is no I but I. She lived in the dark. She taught herself to walk in the light, though it was not easy.
Do you like manga?" she asked after a minute. "Anime?" "Anime's cool. I'm not really into it, but 1 like Japanese movies, animated or not." "Well, I'm into it. I watch the shows, read the books, chat on the boards, and all that. But this girl I know, she's completely into it. She spends most of her allowance on the books and DVDs. She can recite dialogue from them." She caught my gaze. "So would you say she belongs here?" "No. Most kids are that way about something, right? With me, it's movies. Like knowing who directed a sci-fi movie made before I was born.
She read it again. It was fascinating and surreal, like reading a diary that had been hers when she was a teenager, secret and heartfelt words written by a girl she only vaguely remembered. She wished she'd written more. Her words mad her feel sad and proud, powerful and relieved." p 272
The one I really get on with is Princess Anne. Talk about calls a spade a shovel! And she's so clued-up. She's a patron of a number of charities. I've been involved in a couple and she's not just a name. She knows the research programmes that are going on. She really does her homework.
With Whitney she has such a unique sound and powerful instrument that she made those songs her own. She might as well have written them because she brought such a power and passion to them that were very unique. She has a great gift.
The difficulty will be to keep her from learning too fast and too much. She is always sitting with her little nose burrowing into books. She doesn't read them, Miss Minchin; she gobbles them up as if she were a little wolf instead of a little girl. She is always starving for new books to gobble, and she wants grown-up books--great, big, fat ones--French and German as well as English--history and biography and poets, and all sorts of things. Drag her away from her books when she reads too much.
Mirabelle replaces the absent friends with books and television mysteries of the PBS kind. The books are mostly nineteenth-century novels in which women are poisoned or are doing the poisoning. She does not read these books as a romantic lonely hearts turning pages in the isolation of her room, not at all. She is instead an educated spirit with a sense of irony. She loves the gloom of these period novels, especially as kitsch, but beneath it all she finds that a part of her indentifies with all that darkness.
My personal trainer, she's been reading the textbooks, she doesn't want me to do too much, she says: 'Don't overheat, don't over-stretch, blah blah blah.'
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